Blue Dog 2000, The Year of Xerox

Although most collectors and fans know by now that George Rodrigue avoids mass-production, products, and other projects that might be described as ‘sell-out,’ there was a period of time when I (and I daresay much of the gallery staff) approached each day on the defensive. The late 1990s brought a flood of projects his way,Continue reading “Blue Dog 2000, The Year of Xerox”

From Jolie Blonde to Bodies: Paintings of Women

According to local legend, in the 1920s a Cajun imprisoned in Port Arthur, Texas pined for his lost love, his beautiful blonde, his “Jolie Blonde,” and wrote a waltz from those feelings of longing. Over the years the song became for many the Cajun anthem based on a sort of modern day Evangeline, and CajunContinue reading “From Jolie Blonde to Bodies: Paintings of Women”

The Art Business, A Few Thoughts

Written in response to questions about the art business from artists and their partners, especially Joey, who wrote in this week- When I think back twenty years on the early days of working in the galleries in New Orleans and Carmel, California, I remember the frustration of wanting to do things a certain way butContinue reading “The Art Business, A Few Thoughts”

Blue Dog Man, 1996- 1999

Maybe it’s Diana Krall singing “Have Yourself a Merry Little Christmas,” or maybe it’s the lights on our turquoise tree, or maybe it’s this stormy New Orleans afternoon, but something has made me sentimental in thinking back on what I like to call the ‘Blue Dog Man’ years, 1996-1999. It was during this time thatContinue reading “Blue Dog Man, 1996- 1999”

Portraits: The Kingfish and Uncle Earl

For years George tried to convince me that he is not a portrait painter. He explained that others paint with far more skill in interpreting likenesses, and that he used his models as just that, models. If he paints Jolie Blonde, in other words, it’s not about the person posing, but rather about the legend.Continue reading “Portraits: The Kingfish and Uncle Earl”