The Family Portrait

Although George Rodrigue admitted to himself only recently that he is an effective portrait artist, he has painted both real and imaginary figures for forty years, accepting commissions for family portraits since the early 1970s. For the family portrait he feels pressured to please everyone from Great Aunt Marie to Baby Hebert with regards toContinue reading “The Family Portrait”

The Bronzes

George Rodrigue holds a deep appreciation for classicism in the visual arts. In a way, this embrace of time-honored techniques and subjects translates to a parallel within his own career, as even today he talks about his bronzes of the mid-1970s with reverence, recalling the process as though he worked alongside Donatello himself, paying tributeContinue reading “The Bronzes”

Women of Vision

Inspired by an upcoming speech for UL Lafayette’s ‘Women of Vision’ Lecture Series. For information see the bottom of this post- George Rodrigue’s paintings of women focus on both myth and reality. In most cases they include strong women with important roles in their community, Louisiana’s cultural history, and their own families. (pictured, Old LadiesContinue reading “Women of Vision”

Swamp Women

“Oh, this stinkin’ swamp water stinks!” –from the movie Swamp Women, 1955 Early on the morning of October 31st I met George Rodrigue in the garage for the two-hour drive to Lafayette, Louisiana, where we were to meet some friends from California at the Blue Dog Café. I was running late. “What are you wearing?!”Continue reading “Swamp Women”