Spotlight on Sandra

Two years after opening The Rodrigue Gallery of New Orleans, George Rodrigue followed in 1991 with Galerie Blue Dog in Carmel, California.* That first summer, as he installed his paintings and established himself in the tiny seaside community, a southern gal walked in smiling and reminded him, “Don’t you remember me? We met years agoContinue reading “Spotlight on Sandra”

Blue Dog Relief

As I’ve mentioned before, it was many months before George Rodrigue returned to his easel following Hurricane Katrina, and when he did, the paintings were dark and fragmented, far different from the bright colors and strong designs normally associated with the Blue Dog Series. Not only was he without a studio space to work, butContinue reading “Blue Dog Relief”

We Will Rise Again

Following Hurricane Katrina in 2005, like everyone on the Gulf Coast, our lives were in turmoil. In addition to the logistics of basic needs such as shelter, phone service and, most important, tracking down friends and loved ones, there was a business and a staff, several of whom lost everything they owned, to consider. AlthoughContinue reading “We Will Rise Again”

There is No Bacon in Space (Having Fun Discussing Art)

For several years I hosted an art discussion group in the Rodrigue Gallery of New Orleans. Composed of gallery staff and the occasional friend or family member, we spent a few hours once each month covering everything from the latest show at MOMA to the current buzz on Julia Street. We related at least oneContinue reading “There is No Bacon in Space (Having Fun Discussing Art)”

The American Cajun

For many years the Cajun’s identity was an ambivalent one. As recently as the 1970s, the label ‘Cajun’ was considered by many to be an insult. George Rodrigue’s own mother, in fact, was quick to point out her distaste for this aspect of George’s work, a twenty-five year dedication on his part: “You’re French! WhyContinue reading “The American Cajun”