Cajuns, The Book

By the mid-1970s George Rodrigue painted on average forty canvases per year, all scenes of Cajun folk-life stemming from his first painting with people, Aioli Dinner (1971), while incorporating the distinctive oak trees from his landscapes. Although he rented a gallery in Lafayette, Louisiana, he sold most of his work on the road in Houston, Dallas,Continue reading “Cajuns, The Book”

George Rodrigue’s Creature from the Black Lagoon

Update, 9/25/13:  Pictured below, George Rodrigue with his new version of the Creature, a one-of-a-kind piece on chrome, made for his private collection; click photo to enlarge- In the early 1950s, it was the movies more than television that made the biggest impact on mainstream American culture.  Today during school visits, I describe this environmentContinue reading “George Rodrigue’s Creature from the Black Lagoon”

The Daughters of André Chastant

Like ghosts of Evangeline, AndrĂ© Chastant’s daughters float brilliant in white and framed within the landscape of southwest Louisiana.  The painting, a combination of photograph and imagination, is my favorite from George Rodrigue’s Cajun period.  These daughters are not posed around their father as though for a photograph.  Rather, they exist as one unit, aContinue reading “The Daughters of AndrĂ© Chastant”

Some Like It Hot

George Rodrigue’s newest artwork, Some Like It Hot, pays tribute to Marilyn Monroe, a golden icon of the silver screen and public fantasy.  He frames her with a bold design of color and shape, including his own icons, the Blue and Red Dogs. (pictured, Some Like It Hot, 2012 by George Rodrigue, 26×40 inches, silkscreenContinue reading “Some Like It Hot”