“In Art, the more personal you become, the better you become.” George Rodrigue as I wrote his words in my journal, 6/30/11 Years ago, George’s and my publishing agent, Roz Cole, pushed me to write a book she called, How to Love.* At the time, I humored her by considering it, but I deferred toContinue reading “Bodies”
Category Archives: Portraits
Sharing George: A Video
The Life & Legacy Tour began because I felt compelled to help others experience George Rodrigue in a more personal way. After eight months, the tour is in demand more than ever, with no end in sight! And perhaps that’s exactly as it should be. Want to know what it’s like? Here’s a video from Dr.Continue reading “Sharing George: A Video”
Life and Legacy
George Rodrigue’s life, art, and philanthropy touch lives every day. In a reality that, from my perspective, is both exhilarating and unsettling, I see him moving into near-mythic status, grouped in art lessons with Van Gogh, Picasso, and Matisse. I’ve always known that he belongs with these artists —Modernist giants whose output enriches our world,Continue reading “Life and Legacy”
What did he look like? …A LAA+ Tour
It was last spring that a young student at The Dufrocq School, a Louisiana A+ School in Baton Rouge, Louisiana asked me the most basic of questions: “What did he look like?” Thrown off, I could only think Where’s my phone? (in my purse) followed quickly by Where’s my purse? (on the other side of theContinue reading “What did he look like? …A LAA+ Tour”
Rodrigue Comes Home
Those of you who follow this blog know that over the past six years (goodness…..six years….) and more than 300 essays, I focus on text, with quotes from George, and a careful complement of photographs and paintings. However, after spending a whirlwind week in Louisiana, I’m ready to post quickly and then get on withContinue reading “Rodrigue Comes Home”
The Petro Brothers
“Ya’ here to look or to buy?…” …barked Bud Petro from the porch of George Rodrigue’s Jefferson Street gallery.From a rocking chair, he watched the Esso station he owned with his brother Norman, while monitoring and, according to George, “scaring away” potential Rodrigue collectors. “I couldn’t tell him to leave,” laughed George.“He was part ofContinue reading “The Petro Brothers”
An Exhibition from the Other Side
This month, the State Library of Louisiana premieres an exhibition based on a new Rodrigue book, The Other Side of the Painting, on view through February 2014. Unable to attend the November 2ndopening in Baton Rouge, George Rodrigue and I relied on curator Marney Robinson, who astonished us with her ability to fully utilize aContinue reading “An Exhibition from the Other Side”
Gus Weill and George Rodrigue (a couple of local boys)
Why do you do what you do? Ah sir if we only knew. But the winds call And the waves toss And we follow And are lost. Ah sir if we only knew.* -Gus Weill, 1981 (pictured, A Couple of Local Boys, 1981, oil on canvas by George Rodrigue, 48×36 inches; collection theContinue reading “Gus Weill and George Rodrigue (a couple of local boys)”
Rodeo Drive
Artist George Rodrigue and I attended a rodeo in South Lake Tahoe, Nevada last weekend. The area, called Glenbrook, reminded me at first of developments like Seaside and WaterColor near my hometown of Fort Walton Beach. Although I’m fond of these ice cream colored Florida Panhandle houses, my initial comparison was a stretch, now thatContinue reading “Rodeo Drive”
My Blues Brothers
George Rodrigue has painted several versions of the Blues Brothers since 1995. Although all in private collections, the paintings from this series are among his most popular, famous within the pages of art books and as reproductions on the walls of the Blue Dog Café in Lafayette, Louisiana and Besh Steakhouse at Harrah’s Casino in NewContinue reading “My Blues Brothers”
Walker Percy (The Impossible Dream)
“Waking wide-eyed dreams come as fitfully as swampfire.”* Years ago artist George Rodrigue owned a camp in Butte la Rose, Louisiana on the Atchafalaya Basin. He purchased it as a small, cabin-like structure on stilts and quickly built on bedrooms, extending a raised walkway to the river and over the swamp. -click photo to enlarge-Continue reading “Walker Percy (The Impossible Dream)”
Blue Dog at the Movies
Since childhood, George Rodrigue has loved the movies. It’s the reason, along with Saints and LSU football, that his studio doubles as a theatre, and why most nights he paints to the backdrop of Turner Classic Movies. He returns to his favorites, The Searchers and Lonesome Dove, repeatedly. And he spent his teenage years paintingContinue reading “Blue Dog at the Movies”
King Marion
For sixty-five years, the Krewe of Louisianians, comprised of the seven congressional districts of the State of Louisiana, has hosted a private Mardi Gras for 5,000 people in Washington, D.C. The three-day celebration includes the best examples of Louisiana’s food and music, while honoring its young women as princesses and festival queens. The Mardi GrasContinue reading “King Marion”
Hollywood Stars
Most folks have seen Casablancaso many times that, unless one happened to visit a theater in 1942, we don’t remember our first encounter with Rick and Ilsa. The film runs together as a nostalgic and romantic constant, a symbol for moviegoers everywhere of why we love the picture show. In his newest series, Hollywood Stars,Continue reading “Hollywood Stars”
Some Like It Hot
George Rodrigue’s newest artwork, Some Like It Hot, pays tribute to Marilyn Monroe, a golden icon of the silver screen and public fantasy. He frames her with a bold design of color and shape, including his own icons, the Blue and Red Dogs. (pictured, Some Like It Hot, 2012 by George Rodrigue, 26×40 inches, silkscreenContinue reading “Some Like It Hot”
A Cajun in Carmel
Blue Dog artist George Rodrigue finds inspiration on the Monterey Peninsula- It was twenty-two years ago that artist George Rodrigue (b. 1944) opened his gallery in Carmel-by-the-Sea, California. One of only two locations* in the country, the artist-owned Rodrigue Studio operates the same way today as it did years ago. Despite Rodrigue’s increasing fame, heContinue reading “A Cajun in Carmel”
I’m a Writer!
“All I see is that you’re writing with a pen. Yay!!!” Author Patty Friedmann cheered the hand-written word after seeing the photo below. It was December 2010, and I scribbled on the pages of a purse-size artsy notebook, purchased annually in multiples from the Morgan Library museum shop. George Rodrigue photographed me as I satContinue reading “I’m a Writer!”
Walker Percy, Sylvester Stallone and the Blue Dog
Update, 2/1/13- Due to the popularity of this exhibition, it is now extended through August 31, 2013. During his forty-five year career, George Rodrigue has painted more than one hundred portraits, everything from his family to U.S. Presidents. One series in particular, however, stands out as a select group of award-winning authors and scholars, paintedContinue reading “Walker Percy, Sylvester Stallone and the Blue Dog”
Harouni Paints Rodrigue
Recently artist David Harouni painted a portrait of George Rodrigue, a special request by mutual friends Kerry and Tiffa Boutte of New Orleans. Known for his powerful painted Heads, usually his own, Harouni traces his life’s journey, the imprints of memory and experience, layering and scraping paint in a process both concealing and revealing. BornContinue reading “Harouni Paints Rodrigue”
Louisiana Legends
Between 1990 and 1993 artist George Rodrigue painted sixteen portraits on three canvases of Living Legends for Louisiana Public Broadcasting. The 1990 honorees and Rodrigue’s tribute painting launched an LPB tradition continuing today. All proceeds from posters of the three paintings benefited LPB’s television programming. “At the gala,” recalls Rodrigue, “each nominee gave a shortContinue reading “Louisiana Legends”
Lucky Dog
Yesterday morning I sat in the window of a Houston, Texas café, George Rodrigue’s sandwich order in hand, awaiting the counter change from breakfast to lunch. An Ignatius J. Reilly nearby spoke of high water and broken computers into what I first thought was a hand’s free phone but turned out to be air. “DamnContinue reading “Lucky Dog”
Clifton Chenier and a Cajun Explosion
In 1985 George Rodrigue painted the great musician Clifton Chenier (1925-1987). At the time, Chenier was world-famous, crowned a Grammy Award winner in 1983 and summoned everywhere from San Francisco to Switzerland to share his unique Louisiana sound. Rodrigue’s timing in painting the portrait honors Chenier not only for his music, but also for hisContinue reading “Clifton Chenier and a Cajun Explosion”
The Human in the Painting
“She was like a woman of Leonardo da Vinci’s, whom we love not so much for herself as for the things that she will not tell us.” –Cecil Vyse, A Room with a View by E.M. Forster, 1908 Certain paintings, particularly a certain era of paintings, transport us, if we let them, to another ageContinue reading “The Human in the Painting”
All Hail King George
George Rodrigue makes a great King. I hear it every year as we attend the Washington D.C. Mardi Gras, where he ruled in 1994 and still commands regal respect. (pictured, It’s Good to be the King, 1994, acrylic on canvas) This royal interest started in his childhood, in the late 1940s. George’s first memory, inContinue reading “All Hail King George”
The Working Artist
Note: Throughout this post I sprinkled images by Louisiana artists. Some I interviewed and some not, but all are included in the book The Bicentennial History of Art in Louisiana.* As I wrote, I thought of the text and images as two separate statements, not necessarily related. In other words, unless specifically noted, all artistContinue reading “The Working Artist”
Victory on Bayou St. John
“The brave young men rode onto the beaches and into battle on Higgins Boats, built in New Orleans by Andrew Higgins, the man Eisenhower said, ‘won the war for us.’” —Stephen Ambrose Yet these two American giants of World War II never met. Dwight D. Eisenhower (1890-1969) eventually became President of the United States (1953-1961); however,Continue reading “Victory on Bayou St. John”
Talk About Good!
In 1979 George Rodrigue loaned twenty of his Cajun paintings for use in Talk About Good II, a cookbook produced by the Junior League of Lafayette, Louisiana. The paintings introduce the book’s chapters and include dinner scenes, seafood preparations and Cajun characters, each complemented by Rodrigue’s brief descriptions. Rodrigue writes about the cover, Kiss MeContinue reading “Talk About Good!”
Chef Paul Prudhomme
If George Rodrigue has a chef’s counterpart, it’s Paul Prudhomme. They grew up in the relatively close Cajun towns of New Iberia and Opelousas, Louisiana. As young boys both pursued their passions as career goals, determined to hone their talents and define their lives with innovative, bold and personal contributions to the art of paintingContinue reading “Chef Paul Prudhomme”
White Linen Night, the Unexpected
Updated 8/1/13: Don’t miss White Linen Night 2013 on Saturday, August 3rd, featuring the George Rodrigue Foundation of the Arts in the New Orleans Arts District. Details at this link. ….Followed by Dirty Linen Night at the Rodrigue Gallery, 730 Royal Street on Saturday, August 10th, 2013; details here. I wouldn’t exactly call it aContinue reading “White Linen Night, the Unexpected”
The Spirit of the Next Hero
“I’m a naïve surrealist,” said George Rodrigue in 1985, “not a sports artist.” This week George Rodrigue unveils his large-scale painting The Spirit of the Next Hero, on view for the first time since he painted it in 1985 as the official poster for the National Sports Festival, an annual event renamed the U.S. OlympicContinue reading “The Spirit of the Next Hero”
Expectations in Baton Rouge
I’ve pondered how to write about this past weekend without turning my blog into a society page of party pics from the Louisiana State University Museum of Art’s opening for “Blue Dogs and Cajuns on the River.” But it seems there’s no way around it. Everyone was there, snapping photographs, posing for TV cameras, and eatingContinue reading “Expectations in Baton Rouge”
Hank Williams or Moon Mullican: A Blogging Dilemma
“I love how Louisiana artists yell out food names when they run out of lyrics.” -Elizabeth McClanahan, Senior at Loyola University, majoring in Music Industry Studies I intended this Jazz Fest post for weeks, focused on Hank Williams. George Rodrigue and I trekked through rural Alabama last month, the Hank Williams Trail, with stops inContinue reading “Hank Williams or Moon Mullican: A Blogging Dilemma”
Blue Dogs and Cajuns on the River: A Painting, Print and Exhibition
“Once a person tries hard enough and long enough without results, the last place they expect to be recognized is in their own backyard. George Rodrigue could not be more excited about this exhibition or the turnout of public support if his art were on view at the Metropolitan Museum of Art.” That’s basically theContinue reading “Blue Dogs and Cajuns on the River: A Painting, Print and Exhibition”
Iry LeJeune, Cajun Accordion Player
Spring is festival season in Louisiana, and this history, particularly regarding Cajun music, exists visually in the musicians’ portraits painted by George Rodrigue. Since the early 1970s he painted dozens of music-related scenes, Southern music legends including everyone from Elvis Presley to Mahalia Jackson. (See the post “Musicians: A Series of Paintings”) However, the CajunContinue reading “Iry LeJeune, Cajun Accordion Player”
Happy Birthday, Tennessee
“They told me to take a streetcar named Desire, and transfer to one called Cemeteries, and ride six blocks and get off at – Elysian Fields!” –Blanche DuBois, T.W. I cannot remember a time that I existed unaware of Tennessee Williams. And yet, the truth is that I discovered him like a déjà vu onlyContinue reading “Happy Birthday, Tennessee”
Museums and Critics, an Early History
“I’m a survivor.” George Rodrigue, 2011 In 1969 the Art Center of Southwest Louisiana held George Rodrigue’s first solo museum exhibition. Located in Lafayette at the University of Southwest Louisiana, the museum, also known as the Pink Palace, existed within a Mississippi River-style plantation, surrounded by huge columns and designed by architect A. Hays Town.Continue reading “Museums and Critics, an Early History”
Saving an Oak Tree (for Romain)
“Actually, I thought about a specific old friend before a specific old tree,” said George Rodrigue when he found out about the 250-year old Youngsville Heritage Oak, destined for destruction next month to make room for a temporary road. George’s connection to the small Louisiana town called Youngsville, near Lafayette, was his best friend RomainContinue reading “Saving an Oak Tree (for Romain)”
Good, Good, Good Friends (Three New Orleans Chefs)
Artists and chefs share a natural bond. Creating unique art or food, they separate themselves from the pack, or from the yardstick as George would say, recalling a professor who explained, “Art is like a yardstick (held horizontally), with the Mona Lisa at one end and black paint on a black canvas at the other.Continue reading “Good, Good, Good Friends (Three New Orleans Chefs)”