They parked their ’57 Chevys, ’48 Fords, and ’56 Plymouth Station Wagons on the Bayou Teche in City Park across the water from the Christian Brother’s Home (also called St. Peter’s College, pictured below in an early photograph and a Rodrigue painting/poster). There they hooked up (necked? made out?) with their girlfriends in the backseats, as the Brothers spied on them from across the water, delivering reprimands the following Monday to the owners of any recognized cars with fogged up windows.
George meanwhile painted in the attic of his family’s St. Peter’s Street home. He decided in the third grade (while bed-ridden with polio and occupied with paint-by-number sets) that he wanted to be an artist, and high school was just something he had to endure in order to reach art school. (pictured, Untitled Imaginary Lady with White Hair, 1960)
Yet his friends made it fun, and he becomes a kid again when reminded of shooting BB guns with Dickie or the inappropriate (and confusing) sexual questions posed in class by ex-seminary student Wilton David. George even spent six months at age eighteen meticulously removing the black stain from the grooves of his Catholic High class ring, purchased in 1961 for $24, so that it would appear solid gold (a ring he wears daily, even now).
He painted monsters on t-shirts, selling them for ten dollars each to earn money for gas,
And he took commissions, such as this portrait of the local funeral director, George Burgess, which hangs in George’s studio today, because the Burgess Funeral Home refused to pay the agreed-upon price of fifty dollars.
About twelve years ago Brother Cecil and Brother Edward began showing up at George’s book signings, dressed in their robes and anxious to share stories with the crowd, usually about George and his “juvenile delinquent” friends. They marveled (in fun) that George ever graduated.
I also marvel at this; his English teacher should have been fired, bein’s he passed George, a man who’s nearly convinced me (an English major) that there’s no acceptable substitute for the non-word ‘bein’s.’
And then there’s the religious angle, completely foreign to me. George was a member of the Sodalist Organization. Confused? I was too. From Catholic High School’s paper, The Panther, February 1961, courtesy of Dickie Hebert:
“Brother Isidore reminded all members of their duties as Sodalists — to always carry their rosaries, to attend Mass on Tuesday and to use their Book of Meditations daily.” (Anyone who knows George personally is laughing at this mental picture).
(pictured above, The Immaculate Dog, 1992, oil on canvas, 36×24 inches)
George’s favorite teacher, Brother Edward, known in high school as Brother Isidore, never missed an opportunity to tell an audience that he threw George out of class for drawing:
“I told him, ‘If you keep that up, you’ll never amount to anything!’”
He convinced George in the mid-1970s to donate a painting of Evangeline to the Christian Brothers Foundation as a gift for jazz musician Pete Fountain, a great supporter of the Christian Brothers School (pictured below, from left Brother Edward Scanlan, Pete Fountain, George Rodrigue). This began a friendship between George and Pete that continues to this day, including George’s Jazz Fest poster from 1996 of the great clarinetist.
When George first appeared in New Orleans with the Blue Dog around 1990, Brother Edward contacted him for money for the Christian Brothers Foundation. George gave him ten Blue Dog silkscreens, and he replied,
“What should I do with these? Who’s going to want this?”
After he sold them at a school event, raising enough money to support the elderly brothers for a year, he showed up the following spring with, according to George,
“…money that looked so old, that I’m sure he dug it up from some back yard.”
George refused the cash and again handed over the prints. Thus began an annual tradition (moldy money, refusal, free prints, big bucks), continuing until Brother Edward, the last living of George’s teachers, died in 2006.
I knew Brother Edward for ten years, and George tells me that he was exactly the same in looks and temperament since New Iberia in the 1950s (pictured below as Brother Isidore, age thirty-six, from the Catholic High 1956 yearbook).
George loved visiting with Brother Edward in recent years. Occasionally we stopped by the Christian Brothers School (CBS) in New Orleans’ City Park and spent the afternoon with him in the elegant 1900 sitting room. At his request we held a special lunch with some of his former students at K-Paul’s Louisiana Kitchen in the spring of 2004. The small gathering turned out to be a Who’s Who of Louisiana (… and me).
(back row: Joey Scaffidi (President of CBS), George and Wendy Rodrigue, Pete Fountain, Raymond Blanco (know as ‘Coach Blanco’ to his former students), Benny Harrell (Pete Fountain’s nephew and manager), Brother Gale Condit (from St. Paul’s School in Covington, Louisiana); front row: Chef Paul Prudhomme, Louisiana Governor Kathleen Blanco, Brother Edward Scanlan)
Since losing Brother Edward, George continues supporting education in Louisiana, especially with the George Rodrigue Foundation of the Arts (GRFA). Established just one year ago, the foundation advocates the importance of the visual arts in childhood education. Although the foundation offers art supplies, education manuals, lectures, and other opportunities, its main project is a scholarship contest open to seniors throughout the state.
We just completed our trial run and were thrilled with over three hundred entries. Several prestigious volunteer judges narrowed the finalists down to sixteen, and we honored that group with $35,000 in scholarship money this past weekend in New Orleans. (pictured, winners Sean Hicks from Hackberry High School in Hackberry, Louisiana, and Brandon Cross from Carroll High School in Monroe, Louisiana; view their works and more on the GRFA website)
More than half of the students, including their parents and art teachers, visited New Orleans for their first time ever this past Saturday. Every family and art teacher had a winner, because each of the sixteen received $250 in art supplies, plus a Rodrigue Super Bowl print dedicated to them personally, plus additional scholarship money, ranging from $500 to $5000 depending on their placement (determined by our judges, made up of artists, musicians, reporters, museum directors, and other prominent members of Louisiana’s cultural community, all of whom donated their time for this project).
In addition, we’re holding a three-week exhibition of the artwork from all sixteen finalists at the new Rodrigue Gallery at 730 Royal Street, followed by a show at the Louisiana School for Math, Science and the Arts in Natchitoches and the Louisiana Governor’s Mansion in Baton Rouge.
For our first try, the scholarship program was a resounding success, and there was hardly a dry eye in the house as these talented young people received awards and acknowledgment for their efforts. (I also saw a number of them doodling throughout the presentation, reminding me of George ‘thrown out of class for drawing.’)
George spoke to these students about his own experience with competition, and even more important, he shared the advice that influenced him on his life’s journey as an artist, specifically the words of architect A. Hays Town:
“Treat every painting like a jewel, because if it’s precious to you, it will be precious to others as well,”
…and of a professor from The Art Center College of Design in Los Angeles:
“Art is like a yard stick. The Renaissance is on one end, and an abstract painting of black paint on a black canvas is on the other. You have to find your spot on that stick and go up.”
We decorated the tables for this event with papier maché dogs created recently by a local third grade class during George’s visit to their school.
The little dogs are now on tour! They appeared first at our client event weekend this past March 19-21 and afterwards as table decorations for the scholarship banquet. Next stop: Lakeside Mall in Metairie, Louisiana, across from the Blue Dog Sculpture.
(pictured above, GRFA Education Director Marney Robinson, GRFA Director Wayne Fernandez, GRFA President Jacques Rodrigue (above), George and Wendy Rodrigue, GRFA Co-Director Gus Anderson)
As if this week, after the Rodrigue’s New Orleans client weekend, the GRFA Scholarship Banquet, and the beautiful spring weather, couldn’t get any better, we hosted fifty students in the gallery from Choctawhatchee High School on Thursday morning, visiting from Fort Walton Beach, Florida. Those of you who follow this blog know that Fort Walton is my hometown. And although I attended the rival high school, this was the next best thing to home.
I’m excited about my twenty-fifth class reunion this June at the Ramada Inn on the beaches of Okaloosa Island, just down the street from where I lived with my mother and sister. Heather Parker (my sister, who manages the Rodrigue Gallery website) is attending with me in George’s place, because she knows so many people from my class, and because it’s hard to think about high school (or any part of my life) without her.
Happy Birthday, Heather! March 29th
High School memories resound for all of us, but I couldn’t help but think this weekend as I looked out among those 17-year-old faces, how bright our future seems in the eyes of these inspired ‘Big Rod’s.’ I didn’t see my tainted Vietnam War and 9/11 pessimism in their eyes. I didn’t see George’s imminent draft notice or limited market for his paintings. Rather, I saw an intelligent, computer-savvy generation; I saw proud (oh so proud) parents; I saw driven, determined young people; and most important, I saw the goodness in their hearts and the joy they felt for each other as they came that much closer to achieving that next important step: a college education.
*GRFA Scholarship Awards photos by Glen Clark, Lafayette, Louisiana