In 1993, George Rodrigue’s career skyrocketed following a front page story, “How Many Dogs Can Fetch Money?,” in The Wall Street Journal (1992), along with thousands of worldwide magazine and billboard advertisements featuring his paintings for Absolut Vodka. After twenty-five years of painting the Cajuns, the Blue Dog Series granted Rodrigue, a native of NewContinue reading “It’s Good to be the King (Rodrigue and the Washington Mardi Gras Ball)”
Category Archives: Mardi Gras
Magic People
“I never thought before that I was interesting, but after talking with you, I realize that I’m fascinating!” –Roz Cole In September 2013 I spent several weeks in a New York City hospital room with George Rodrigue’s longtime literary agent, Rosalind Cole. Weak from his medication’s side effects, George couldn’t travel, and I remember wellContinue reading “Magic People”
Rodrigue’s Cajun Mardi Gras
Mardi Gras is not just about New Orleans. Cities like Mobile, AL, Galveston, TX and my hometown of Fort Walton Beach, FL also celebrate. In Louisiana, dozens of small towns host Mardi Gras parades and celebrations every year. Long before his Mardi Gras posters, George Rodrigue painted the tradition on his own, recording favorite stories andContinue reading “Rodrigue’s Cajun Mardi Gras”
King Marion
For sixty-five years, the Krewe of Louisianians, comprised of the seven congressional districts of the State of Louisiana, has hosted a private Mardi Gras for 5,000 people in Washington, D.C. The three-day celebration includes the best examples of Louisiana’s food and music, while honoring its young women as princesses and festival queens. The Mardi GrasContinue reading “King Marion”
All Hail King George
George Rodrigue makes a great King. I hear it every year as we attend the Washington D.C. Mardi Gras, where he ruled in 1994 and still commands regal respect. (pictured, It’s Good to be the King, 1994, acrylic on canvas) This royal interest started in his childhood, in the late 1940s. George’s first memory, inContinue reading “All Hail King George”
MUSE-ings from a Mardi Gras Float
If ever there was a reason for lasik…, I thought to myself as I struggled with my glasses, barely touching my nose over enormous feathered hot pink eyelashes and a mandatory mask, all negotiated around a plunger-like stocking cap and a bouffant Big Bird-yellow Fifi Mahony’s custom-designed wig. (George Rodrigue designed t-shirts as a giftContinue reading “MUSE-ings from a Mardi Gras Float”
Four for Mardi Gras
It’s impossible to live in the Gulf South and ignore Mardi Gras. It spreads from Galveston to the Florida Panhandle, affecting our judgment, so that ‘normal’ becomes beads, wigs, costumes and masks. (pictured, Four for Mardi Gras, 2012, 24×38 inches, edition 190) In New Orleans we expect parade traffic most evenings and all weekends, shruggingContinue reading “Four for Mardi Gras”
Meet Tiffany, the Original Blue Dog
It was an accident that a terrier/spaniel mix named Tiffany found herself involved with an artist’s legacy years after her death. The Blue Dog, in truth, has little connection to the Rodrigue family pet. Instead, its roots lie in a Cajun story, the loup-garou, a scary legend about a werewolf-type dog that lurks in cemeteriesContinue reading “Meet Tiffany, the Original Blue Dog”
Mardi Gras Silkscreens: A History
George Rodrigue created his first Blue Dog Mardi Gras silkscreen in 1992. He designed the simple, strong image by hand, drawing the outlines for each color on a separate sheet of tracing paper to make the six-color print, and emphasizing the traditional Mardi Gras colors of purple (justice), gold (power), and green (faith). The printContinue reading “Mardi Gras Silkscreens: A History”
Mardi Gras Colors on Paper
Since his earliest Cajun paintings, George Rodrigue painted the parades, costumes, and colors of Mardi Gras. Over the next six weeks (leading up to March 8th, Mardi Gras Day), I’ll explore that history within this blog, including his Cajun posters for small town Louisiana carnival traditions; twenty years of Mardi Gras Blue Dog silkscreens; photographsContinue reading “Mardi Gras Colors on Paper”
For New Orleans
I’m sitting on our back porch drinking a fabulous glass of rose wine shipped to us today from Georis Winery, a tiny establishment down the street from our house in Carmel, otherwise known as la-la land. The bottle arrived this afternoon in a box with our club membership, and I couldn’t resist. From my vantageContinue reading “For New Orleans”
Fairs and Festivals, Ducks Unlimited and the New Orleans Jazz Club
If you ask George Rodrigue what made his art famous in Louisiana, his answer might surprise you. It’s not the Blue Dog, Absolut Vodka ads, or Jazz Fest. Rather, it’s the small town festival posters. Throughout the 1980s George created posters for dozens of festivals throughout the state. He sold thousands of these inexpensive offsetContinue reading “Fairs and Festivals, Ducks Unlimited and the New Orleans Jazz Club”
Who Dat! …. Plus Voodoo, Cow Heads, and DC Mardi Gras
I awoke at 5:30 this morning to the screams of “Who Dat!” hollered from our sidewalk as though I were Stella herself giving up on the half sleep that comes from tumultuous relationships and reignited passion. I awoke in a city blissfully plagued with hangovers and swollen eyes and strained vocal chords. (Maybe you didContinue reading “Who Dat! …. Plus Voodoo, Cow Heads, and DC Mardi Gras”