Tee Teddie (Won’t You Be My Teddy Bear?)

At 4×3 feet, Tee Teddie is anything but tee.  The painting, begun in 1995 and completed in 2013, first hung in Café Tee George, artist George Rodrigue’s original Lafayette restaurant, which was replaced by the Blue Dog Café after burning in 1997.  Tee Teddie was the only painting to escape the flames, while interpretations ofContinue reading “Tee Teddie (Won’t You Be My Teddy Bear?)”

Rodrigue’s Cajun Mardi Gras

Mardi Gras is not just about New Orleans.  Cities like Mobile, AL, Galveston, TX and my hometown of Fort Walton Beach, FL also celebrate.  In Louisiana, dozens of small towns host Mardi Gras parades and celebrations every year. Long before his Mardi Gras posters, George Rodrigue painted the tradition on his own, recording favorite stories andContinue reading “Rodrigue’s Cajun Mardi Gras”

Life Lessons and an Art Contest

George Rodrigue entered two art contests in his life and failed at both. By ‘failed,’ I’m not talking about losses, but more significant that he was disqualified or learned a hard lesson about cheating. “Nothing in life is fair,” my mother used to say, and maybe she was right. But in the end perhaps that’sContinue reading “Life Lessons and an Art Contest”

King Marion

For sixty-five years, the Krewe of Louisianians, comprised of the seven congressional districts of the State of Louisiana, has hosted a private Mardi Gras for 5,000 people in Washington, D.C.  The three-day celebration includes the best examples of Louisiana’s food and music, while honoring its young women as princesses and festival queens.  The Mardi GrasContinue reading “King Marion”

Blue Dog, The Book

“To find her you must lose her.  The Blue Dog knows the way.” –Blue Dog, 1994 In March of 1992 journalist Bridget O’Brian interviewed George Rodrigue for an article, front page, center column, in The Wall Street Journal. Although George had no control over the content, O’Brian allowed him one special request.  Without hesitating, heContinue reading “Blue Dog, The Book”

Cajuns, The Book

By the mid-1970s George Rodrigue painted on average forty canvases per year, all scenes of Cajun folk-life stemming from his first painting with people, Aioli Dinner (1971), while incorporating the distinctive oak trees from his landscapes. Although he rented a gallery in Lafayette, Louisiana, he sold most of his work on the road in Houston, Dallas,Continue reading “Cajuns, The Book”

George Rodrigue’s Creature from the Black Lagoon

Update, 9/25/13:  Pictured below, George Rodrigue with his new version of the Creature, a one-of-a-kind piece on chrome, made for his private collection; click photo to enlarge- In the early 1950s, it was the movies more than television that made the biggest impact on mainstream American culture.  Today during school visits, I describe this environmentContinue reading “George Rodrigue’s Creature from the Black Lagoon”

The Daughters of André Chastant

Like ghosts of Evangeline, André Chastant’s daughters float brilliant in white and framed within the landscape of southwest Louisiana.  The painting, a combination of photograph and imagination, is my favorite from George Rodrigue’s Cajun period.  These daughters are not posed around their father as though for a photograph.  Rather, they exist as one unit, aContinue reading “The Daughters of André Chastant”

Some Like It Hot

George Rodrigue’s newest artwork, Some Like It Hot, pays tribute to Marilyn Monroe, a golden icon of the silver screen and public fantasy.  He frames her with a bold design of color and shape, including his own icons, the Blue and Red Dogs. (pictured, Some Like It Hot, 2012 by George Rodrigue, 26×40 inches, silkscreenContinue reading “Some Like It Hot”