In 1979 George Rodrigue painted his four-year old son André with Santa Claus. As with most of his Cajun paintings, he manipulated a photograph to suit his needs, in this case cutting the figures out of the staged snapshot and placing them outside. André posed with Santa not beneath an oak tree, but at AcadianaContinue reading “Santa Claus: Paintings and Sculptures Inspired by the Season”
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The Greatest Gift
“And they sat there and they marveled And they knew they could not tell Whether it were angels, or the bright stars a singing”** I was surprised by the large and heartfelt response to the recent post “The Ghost of Christmas Past,” a story I hesitated sharing. Obviously there is something about this season thatContinue reading “The Greatest Gift”
The Art Contest
George Rodrigue entered two art contests in his life and failed at both. By ‘failed,’ I’m not talking about the fact that he lost, but more significant that he was disqualified or learned a hard lesson about cheating. “Nothing in life is fair,” my mother used to say. And maybe she was right. But inContinue reading “The Art Contest”
The Ghost of Christmas Past
I try and, honestly, fail to imagine 1950s New Iberia, Louisiana. I’ve stared at this photograph for hours, a six-year old George Rodrigue dressed as a cowboy on Christmas morning, an only child surrounded by symbols of the time: a Radio Flyer red wagon; promotional Coca-Cola Santa Clauses (in multiples because his dad traded themContinue reading “The Ghost of Christmas Past”
The Family Portrait
Although George Rodrigue admitted to himself only recently that he is an effective portrait artist, he has painted both real and imaginary figures for forty years, accepting commissions for family portraits since the early 1970s. For the family portrait he feels pressured to please everyone from Great Aunt Marie to Baby Hebert with regards toContinue reading “The Family Portrait”
The Bronzes
George Rodrigue holds a deep appreciation for classicism in the visual arts. In a way, this embrace of time-honored techniques and subjects translates to a parallel within his own career, as even today he talks about his bronzes of the mid-1970s with reverence, recalling the process as though he worked alongside Donatello himself, paying tributeContinue reading “The Bronzes”
Looking Back
I’ve spent a lot of time lately looking back. George does this often within his art, and it is an obvious and running theme in his Cajun paintings. However, even the Blue Dog, which he frequently describes as ‘commenting on life today,’ allows an occasional glimpse into a bygone world, a place that remains insideContinue reading “Looking Back”
Blonde
Reflections On an Insane Yet Wonderful Week “How long were we gone?” asked George Rodrigue. “A week?” “More like 48 hours,” I replied… …as we recalled our visit to Little Rock, Arkansas last weekend, where we raised funds and awareness for arts education through events for the Thea Foundation and the George Rodrigue Foundation ofContinue reading “Blonde”
Women of Vision
Inspired by an upcoming speech for UL Lafayette’s ‘Women of Vision’ Lecture Series. For information see the bottom of this post- George Rodrigue’s paintings of women focus on both myth and reality. In most cases they include strong women with important roles in their community, Louisiana’s cultural history, and their own families. (pictured, Old LadiesContinue reading “Women of Vision”
Swamp Women
“Oh, this stinkin’ swamp water stinks!” –from the movie Swamp Women, 1955 Early on the morning of October 31st I met George Rodrigue in the garage for the two-hour drive to Lafayette, Louisiana, where we were to meet some friends from California at the Blue Dog Café. I was running late. “What are you wearing?!”Continue reading “Swamp Women”