Currently at the West Baton Rouge Museum, This first of its kind exhibition traces 45 years of the river in Rodrigue’s paintings, exploring the unique ways Rodrigue used the river as a reference to his Cajun heritage, and ultimately as a metaphor for the journey of life. LEARN MORE
This unprecedented exhibition of rarely seen George Rodrigue paintings tours for 2 1/2 years to four additional museums, including the Carnegie Visual Arts Center in Decatur, Alabama; the Masur Museum in Monroe, Louisiana; the Monthaven Arts and Cultural Center in Hendersonville, Tennessee; and the Alexandria Museum of Art in Alexandria, Louisiana.
February 27 – April 6, 2024
Carnegie Visual Arts Center
Decatur, Alabama
April 27 – October 11, 2024
Masur Museum of Art
Monroe, Louisiana
November 2, 2024 – January 21, 2025
Monthaven Arts and Cultural Center
Hendersonville, Tennessee
March 4, 2025 – June 21, 2025
Alexandria Museum of Art
Alexandria, Louisiana
The waterways of Louisiana were the early highways of its inhabitants. We had no roads; we just had the water. They were the natural fairways for commerce, development, and everything necessary for settlers to expand.
George Rodrigue
In Rodrigue’s paintings, the roads and rivers blend as one, and are one and the same. Rejecting the spacious sky of traditional European-style paintings, he pushes a large oak to the front of his canvas, cropping the top of the tree so that the light shines in the distance and is small beneath the branches. In hundreds of his paintings, it is a river or road that invites the viewer into Rodrigue’s imaginary world, one that feels like Louisiana, and onto a painted path that leads to a symbolic, hopeful light.
When the Blue Dog enters Rodrigue’s world, his paintings become increasingly more colorful, reflecting changes in his life and outlook. Unlike the black bayous of his Cajun paintings, Rodrigue’s Blue Dog interpretations are surreal in both design and color. Oftentimes the rivers are blue, red, yellow, and abstracted, blending and swirling almost indiscernibly with the land and sky. Ultimately, paintings from the last year of Rodrigue’s life, as featured in this exhibition, ponder his life’s journey as never before, borrowing from the symbolism of his early paintings and the optimism of his later ones. In these intensely personal expressions, Rodrigue once again invites us into his world with a river, this time contemplating not only his life’s journey and artistic legacy, but also, with hope and curiosity, the next part of his adventure.