It was last spring that a young student at The Dufrocq School, a Louisiana A+ School in Baton Rouge, Louisiana asked me the most basic of questions: “What did he look like?” Thrown off, I could only think Where’s my phone? (in my purse) followed quickly by Where’s my purse? (on the other side of theContinue reading “What did he look like? …A LAA+ Tour”
Category Archives: PORTRAITS
Gus Weill and George Rodrigue (a couple of local boys)
Why do you do what you do? Ah sir if we only knew. But the winds call And the waves toss And we follow And are lost. Ah sir if we only knew.* -Gus Weill, 1981 (pictured, A Couple of Local Boys, 1981, oil on canvas by George Rodrigue, 48×36 inches; collection theContinue reading “Gus Weill and George Rodrigue (a couple of local boys)”
Walker Percy (The Impossible Dream)
“Waking wide-eyed dreams come as fitfully as swampfire.”* Years ago artist George Rodrigue owned a camp in Butte la Rose, Louisiana on the Atchafalaya Basin. He purchased it as a small, cabin-like structure on stilts and quickly built on bedrooms, extending a raised walkway to the river and over the swamp. -click photo to enlarge-Continue reading “Walker Percy (The Impossible Dream)”
King Marion
For sixty-five years, the Krewe of Louisianians, comprised of the seven congressional districts of the State of Louisiana, has hosted a private Mardi Gras for 5,000 people in Washington, D.C. The three-day celebration includes the best examples of Louisiana’s food and music, while honoring its young women as princesses and festival queens. The Mardi GrasContinue reading “King Marion”
Walker Percy, Sylvester Stallone and the Blue Dog
Update, 2/1/13- Due to the popularity of this exhibition, it is now extended through August 31, 2013. During his forty-five year career, George Rodrigue has painted more than one hundred portraits, everything from his family to U.S. Presidents. One series in particular, however, stands out as a select group of award-winning authors and scholars, paintedContinue reading “Walker Percy, Sylvester Stallone and the Blue Dog”
Louisiana Legends
Between 1990 and 1993 artist George Rodrigue painted sixteen portraits on three canvases of Living Legends for Louisiana Public Broadcasting. The 1990 honorees and Rodrigue’s tribute painting launched an LPB tradition continuing today. All proceeds from posters of the three paintings benefited LPB’s television programming. “At the gala,” recalls Rodrigue, “each nominee gave a shortContinue reading “Louisiana Legends”
Clifton Chenier and a Cajun Explosion
In 1985 George Rodrigue painted the great musician Clifton Chenier (1925-1987). At the time, Chenier was world-famous, crowned a Grammy Award winner in 1983 and summoned everywhere from San Francisco to Switzerland to share his unique Louisiana sound. Rodrigue’s timing in painting the portrait honors Chenier not only for his music, but also for hisContinue reading “Clifton Chenier and a Cajun Explosion”
Hank Williams or Moon Mullican: A Blogging Dilemma
“I love how Louisiana artists yell out food names when they run out of lyrics.” -Elizabeth McClanahan, Senior at Loyola University, majoring in Music Industry Studies I intended this Jazz Fest post for weeks, focused on Hank Williams. George Rodrigue and I trekked through rural Alabama last month, the Hank Williams Trail, with stops inContinue reading “Hank Williams or Moon Mullican: A Blogging Dilemma”
Iry LeJeune, Cajun Accordion Player
Spring is festival season in Louisiana, and this history, particularly regarding Cajun music, exists visually in the musicians’ portraits painted by George Rodrigue. Since the early 1970s he painted dozens of music-related scenes, Southern music legends including everyone from Elvis Presley to Mahalia Jackson. (See the post “Musicians: A Series of Paintings”) However, the CajunContinue reading “Iry LeJeune, Cajun Accordion Player”
The Family Portrait
Although George Rodrigue admitted to himself only recently that he is an effective portrait artist, he has painted both real and imaginary figures for forty years, accepting commissions for family portraits since the early 1970s. For the family portrait he feels pressured to please everyone from Great Aunt Marie to Baby Hebert with regards toContinue reading “The Family Portrait”