Rodrigue Jewelry

George first created jewelry in the 1970s, hand-forming designs in clay from his images of Oak Trees and Jolie Blonde, which he reinterpreted as solid gold pendants.  Later he made for himself one-of-a-kind Mardi Gras coins featuring elements from his paintings, also in gold, and embellished with precious stones. In the 1980s George met DouglasContinue reading “Rodrigue Jewelry”

The Begneaud Collection

Since losing George in 2013, we (myself, his sons, and our staff), have made educating the public about his life and work a priority. In the galleries, we’ve focused on exhibitions that span his 45-year career, including the current installations, Rodrigue:  Blue Dog for President in New Orleans and  Rodrigue in Carmel:  Galerie Blue DogContinue reading “The Begneaud Collection”

George Rodrigue: “Fun for Me”

As Rodrigue Studio celebrates its 25th year in Carmel-by-the-Sea, California, I’ve reluctantly stared memories hard in the face, piecing together, without George, a history that’s all about George.  As is the case throughout his life, a central aspect of the story exists within his artwork. “It’s got to be fun for me, or I don’tContinue reading “George Rodrigue: “Fun for Me””

Shidoni: A Friendly Greeting

I returned recently, for the first time in five years, to Shidoni, a place where George worked regularly over three decades.   Located in the lush Tesuque Valley, an oasis in the desert near Santa Fe, New Mexico, the foundry was George’s choice for some thirty years for transforming his clay sculptures into bronzes —whether three-dimensionalContinue reading “Shidoni: A Friendly Greeting”

Blue Dog Hog

George Rodrigue’s Blue Dog Hog premiered in 1994 in a New York City gallery called The Time is Always Now.  This unique three-dimensional artwork dazzled at the center of the warehouse-type space, with George’s paintings, some as large as fifteen feet across, surrounding the bike. -click photos throughout to enlarge- The exhibition coincided with theContinue reading “Blue Dog Hog”

I am Not the Artist.

Over the years countless people approached George Rodrigue with ideas for paintings.  They didn’t understand that George was original.  He was authentic. “They all think they’re the artist,” he would say, shaking his head over the umpteenth person to “have a great idea,” insisting that he paint the Blue Dog with St. Louis Cathedral orContinue reading “I am Not the Artist.”

The Alligators Return

Following twenty years in a private collection, this week two special paintings by George Rodrigue hang for the first time ever in New Orleans.  See Lacoste Lineup (1991) and Spooked by Bourré (1993) on view for a limited time at Rodrigue Studio in the French Quarter.  The story behind these paintings is one of the mostContinue reading “The Alligators Return”

Rodrigue Comes Home

Those of you who follow this blog know that over the past six years (goodness…..six years….) and more than 300 essays, I focus on text, with quotes from George, and a careful complement of photographs and paintings. However, after spending a whirlwind week in Louisiana, I’m ready to post quickly and then get on withContinue reading “Rodrigue Comes Home”

The Moment

“What are you thinking about?” I asked George, following hours of silence.  “The road,” he replied. After dozens of cross-country journeys together over twenty years, his answer was always the same.  So I stopped asking, and pondered, instead, his answer. George wasn’t speaking of the asphalt, although he did reminisce about old Route 66 andContinue reading “The Moment”