Life and Legacy

George Rodrigue’s life, art, and philanthropy touch lives every day. In a reality that, from my perspective, is both exhilarating and unsettling, I see him moving into near-mythic status, grouped in art lessons with Van Gogh, Picasso, and Matisse.  I’ve always known that he belongs with these artists —Modernist giants whose output enriches our world,Continue reading “Life and Legacy”

Don’t Slow Me Down

In the spring of 2013 George Rodrigue and I drove our truck cross-country from New Orleans, Louisiana to Carmel, California, as we had twice annually for twenty years, finding adventure on alternate routes and detours along the way.  We didn’t know that this would be our last road trip; however, we did travel with aContinue reading “Don’t Slow Me Down”

What did he look like? …A LAA+ Tour

It was last spring that a young student at The Dufrocq School, a Louisiana A+ School in Baton Rouge, Louisiana asked me the most basic of questions:  “What did he look like?” Thrown off, I could only think Where’s my phone? (in my purse) followed quickly by Where’s my purse? (on the other side of theContinue reading “What did he look like? …A LAA+ Tour”

Rodrigue Jewelry

George first created jewelry in the 1970s, hand-forming designs in clay from his images of Oak Trees and Jolie Blonde, which he reinterpreted as solid gold pendants.  Later he made for himself one-of-a-kind Mardi Gras coins featuring elements from his paintings, also in gold, and embellished with precious stones. In the 1980s George met DouglasContinue reading “Rodrigue Jewelry”

The Begneaud Collection

Since losing George in 2013, we (myself, his sons, and our staff), have made educating the public about his life and work a priority. In the galleries, we’ve focused on exhibitions that span his 45-year career, including the current installations, Rodrigue:  Blue Dog for President in New Orleans and  Rodrigue in Carmel:  Galerie Blue DogContinue reading “The Begneaud Collection”

George Rodrigue: “Fun for Me”

As Rodrigue Studio celebrates its 25th year in Carmel-by-the-Sea, California, I’ve reluctantly stared memories hard in the face, piecing together, without George, a history that’s all about George.  As is the case throughout his life, a central aspect of the story exists within his artwork. “It’s got to be fun for me, or I don’tContinue reading “George Rodrigue: “Fun for Me””

Shidoni: A Friendly Greeting

I returned recently, for the first time in five years, to Shidoni, a place where George worked regularly over three decades.   Located in the lush Tesuque Valley, an oasis in the desert near Santa Fe, New Mexico, the foundry was George’s choice for some thirty years for transforming his clay sculptures into bronzes —whether three-dimensionalContinue reading “Shidoni: A Friendly Greeting”

Blue Dog Hog

George Rodrigue’s Blue Dog Hog premiered in 1994 in a New York City gallery called The Time is Always Now.  This unique three-dimensional artwork dazzled at the center of the warehouse-type space, with George’s paintings, some as large as fifteen feet across, surrounding the bike. -click photos throughout to enlarge- The exhibition coincided with theContinue reading “Blue Dog Hog”

I am Not the Artist.

Over the years countless people approached George Rodrigue with ideas for paintings.  They didn’t understand that George was original.  He was authentic. “They all think they’re the artist,” he would say, shaking his head over the umpteenth person to “have a great idea,” insisting that he paint the Blue Dog with St. Louis Cathedral orContinue reading “I am Not the Artist.”