Until now, it was 35 years ago that George Rodrigue last exhibited in Santa Fe, New Mexico, when his good friend, Rosalea Murphy, hosted an exhibition of his paintings in the apartment above her famous restaurant, The Pink Adobe. George spoke often of the unique camaraderie he enjoyed with artists such as Rosalea, her daughterContinue reading “Rodrigue in Santa Fe, Continued”
Category Archives: BLUE DOG
Rodrigue Sculpture in Santa Fe
George Rodrigue’s Blue Dog sculptures are amongst his greatest artistic achievements. This month, in the garden of the Acequia Madre House Museum in Santa Fe, we installed George’s first public artwork in New Mexico. The 11-foot sculpture, made of steel, aluminum, and chrome, includes a unique chatoyant effect produced by three distinct shades of automotiveContinue reading “Rodrigue Sculpture in Santa Fe”
Rodrigue on Tour! Film Clips from Florida & Alabama Schools
It was 78 years ago, on March 13, 1944, that my late husband, George Rodrigue, was born to Marie and George, Sr. in New Iberia, Louisiana. After more than twenty years of marriage, they had given up on having children. Yet along came George, who brought magic to their lives, and later, to my life,Continue reading “Rodrigue on Tour! Film Clips from Florida & Alabama Schools”
Priceless Puppies
It was twenty years ago, while halfway joking, that I surprised George Rodrigue with a white porcelain vase produced by artist Jeff Koons of his 3-D artwork, Puppy. George was unreserved in his criticism of Koons, and yet I also sensed his fascination with the artist who, among other things, fetches millions of dollars forContinue reading “Priceless Puppies”
Walk With Me to the Future
It was while bedridden with polio that George Rodrigue (1944-2013) discovered painting. Unable to walk, and highly contagious with a disease feared by parents everywhere, he remained at home throughout much of the third grade with only his mother for company. His father, George, Sr., supported his family from the road while working as aContinue reading “Walk With Me to the Future”
Teachers (And Why It Almost Didn’t Happen)
Presenting to teachers presents an unusual challenge. After all, that is their role with their students during hundreds of classes each year. Last week, during the Oklahoma A+ Schools “Not Your Average Conference” at the University of Central Oklahoma, teachers from seventy arts-integrated schools laughed at me, or rather with me, when I asked duringContinue reading “Teachers (And Why It Almost Didn’t Happen)”
What’s With This Dog?
George Rodrigue’s Blue Dog artworks became a phenomenon, as well as a portal to creative freedom for the artist. On his canvas, along with drawings, sculptures, and digital expressions, the surrealist impulses within his Cajun paintings flourished beyond imaginary Louisiana settings to include the broad expanse of George’s mind, unlimited by a culture orContinue reading “What’s With This Dog?”
Rodrigue Jewelry
George first created jewelry in the 1970s, hand-forming designs in clay from his images of Oak Trees and Jolie Blonde, which he reinterpreted as solid gold pendants. Later he made for himself one-of-a-kind Mardi Gras coins featuring elements from his paintings, also in gold, and embellished with precious stones. In the 1980s George met DouglasContinue reading “Rodrigue Jewelry”
Circle of Life: Round Paintings
As I understand it, the bright-colored mandala represents the universe; its creation in sand and its inevitable destruction represent the impermanence of life.* Some years ago I asked George Rodrigue if he would paint, for me, a meditative symbol. He replied, naturally… “I already have.” (pictured: Circle of Life, 2002, an original silkscreen by George Rodrigue,Continue reading “Circle of Life: Round Paintings”
Absolut Blue Dog
It’s twenty-five years since George Rodrigue last drank alcohol,* and yet he was part of one of the most successful stories in advertising history, promoting a vodka. “Even when I did drink,” laughs the artist, “it was always bourbon or wine. I never liked vodka.” (pictured, Absolut Rodrigue, 1993, one of three paintings created byContinue reading “Absolut Blue Dog”
Rocky Mountain Blues
Following Hurricane Katrina in 2005, George Rodrigue, like many New Orleans artists, sought temporary venues for his work. Even after the Rodrigue Gallery reopened in January 2006, it was several years before tourists returned strong to the city. Local artists depend on this exposure to sell their art. In addition, although George and I experiencedContinue reading “Rocky Mountain Blues”
Shiny Happy Blue Dog
“We mortals are but shadows and dust.” –Proximo, Gladiator Recently, while shopping for skinny jeans and day-glo tees with my sister and cousin, I time-warped to the 1980s when flashy jewelry, exaggerated shoulders, and acrylic fingernails prevailed. For a while, subtle feminine style seemed lost forever. George Rodrigue has never been subtle, in his ideas,Continue reading “Shiny Happy Blue Dog”
Blue Dog: A Life of Its Own
“Feel the dignity of a child. Do not feel superior to him, for you are not.” – Robert Henri It was in Hollywood, ironically, that George Rodrigue and I reflected recently on the Blue Dog in a new way. We learned of a school in southern California that used the styles of art world mastersContinue reading “Blue Dog: A Life of Its Own”
Blue Dog, The Book
“To find her you must lose her. The Blue Dog knows the way.” –Blue Dog, 1994 In March of 1992 journalist Bridget O’Brian interviewed George Rodrigue for an article, front page, center column, in The Wall Street Journal. Although George had no control over the content, O’Brian allowed him one special request. Without hesitating, heContinue reading “Blue Dog, The Book”
Hollywood Stars
Most folks have seen Casablancaso many times that, unless one happened to visit a theater in 1942, we don’t remember our first encounter with Rick and Ilsa. The film runs together as a nostalgic and romantic constant, a symbol for moviegoers everywhere of why we love the picture show. In his newest series, Hollywood Stars,Continue reading “Hollywood Stars”
Dogs in Space
“I dropped the Cajun influence, just painting a Blue Dog, and I wondered, What does that mean?” –George Rodrigue It was the painting Loup-garouof 1991 that altered the Blue Dog concept for George Rodrigue, as he abandoned his oak trees and Cajun figures for the first time since the late 1960s. Although he painted theContinue reading “Dogs in Space”
Starry Starry Eyes: A Runaway Hit
In 1991 George Rodrigue’s printed artwork bolted forward with new color and precision as he applied the latest in ink and technology to his silkscreens. This was a substantial advancement over his earlier Cajun posters and Blue Dog silkscreens. For the first time he created complex original print designs using intense hues. Prior to theContinue reading “Starry Starry Eyes: A Runaway Hit”
Swamp Dogs: A Series on Metal
More than a year in the making, George Rodrigue’s Swamp Dogs combine print, photography and varnish on large sheets of metal, resulting in a unique perspective of the Louisiana landscape. Beyond materials, however, the series originates with two stories. Rodrigue, a Cajun artist for forty-five years, illustrates Louisiana lore including not only the loup-garou, butContinue reading “Swamp Dogs: A Series on Metal”
My Favorite Painting
The Loup-garou is my favorite painting. I first saw it on a Sunday afternoon in 1991, a day that changed my life. I walked into the Rodrigue Gallery in the French Quarter to visit a friend, the gallery manager. At the time, I worked at Ann Taylor while attending graduate school at Tulane University, and I worried as my college job morphed intoContinue reading “My Favorite Painting”
Blue Dog Glass and Other Unique Rodrigue Items
Although partial to paint on canvas, George Rodrigue experiments often with other mediums, creating the unexpected within his signature subjects. Printmaking is the most obvious other than painting, particularly his Cajun festival posters and Blue Dog silkscreens. (click photo to zoom, a cameo glass vase within Rodrigue’s home; the painting Loup-garou, 1991, hangs in theContinue reading “Blue Dog Glass and Other Unique Rodrigue Items”
Mardi Gras Silkscreens: A History
George Rodrigue created his first Blue Dog Mardi Gras silkscreen in 1992. He designed the simple, strong image by hand, drawing the outlines for each color on a separate sheet of tracing paper to make the six-color print, and emphasizing the traditional Mardi Gras colors of purple (justice), gold (power), and green (faith). The printContinue reading “Mardi Gras Silkscreens: A History”
Blue Dog Relief
As I’ve mentioned before, it was many months before George Rodrigue returned to his easel following Hurricane Katrina, and when he did, the paintings were dark and fragmented, far different from the bright colors and strong designs normally associated with the Blue Dog Series. Not only was he without a studio space to work, butContinue reading “Blue Dog Relief”
Blue Dog: The Dark Period, 2006-7 (Paintings Following Katrina)
Following the chaos of Hurricane Katrina in 2005, George Rodrigue shifted his attention from Bodies, a collection of paintings and remastered digital prints focused on the female nude, to Blue Dog Relief. The New Orleans gallery reopened in January of 2006; however, the positive nature of George’s paintings seemed out of place. Our staff workedContinue reading “Blue Dog: The Dark Period, 2006-7 (Paintings Following Katrina)”
The Jazz Fest Poster: Part 2
With this post, George and I remember Mrs. Frances Fernandez, long-time President and Board member of the New Orleans Jazz Club, who dedicated her life to the appreciation of New Orleans’s jazz musicians. We also remember Bill Hemmerling, a beloved local artist who painted the 2005 poster for the New Orleans Jazz and Heritage Festival.Continue reading “The Jazz Fest Poster: Part 2”
The Jazz Fest Poster: Part 1
In 1994 when first approached by ProCreations, the poster company for the New Orleans Jazz and Heritage Festival, George Rodrigue hesitated. “It has to be my rules,” he said: “I want to paint Louis Armstrong, and I want to paint him without the Blue Dog.” Up until this time Jazz Fest posters included only musiciansContinue reading “The Jazz Fest Poster: Part 1”
Blue Dog: The Abstract Paintings, 2001-2003
George Rodrigue completed the Xerox Collection in early 2001. He spent the next several months building his studio in Carmel, California, and by that summer we were settled in Carmel, remaining there most of the next two years. Spurred on by the excitement over his new studio, he painted ‘round the clock, and I watchedContinue reading “Blue Dog: The Abstract Paintings, 2001-2003”
Blue Dog 2000, The Year of Xerox
Although most collectors and fans know by now that George Rodrigue avoids mass-production, products, and other projects that might be described as ‘sell-out,’ there was a period of time when I (and I daresay much of the gallery staff) approached each day on the defensive. The late 1990s brought a flood of projects his way,Continue reading “Blue Dog 2000, The Year of Xerox”
Blue Dog Man, 1996- 1999
Maybe it’s Diana Krall singing “Have Yourself a Merry Little Christmas,” or maybe it’s the lights on our turquoise tree, or maybe it’s this stormy New Orleans afternoon, but something has made me sentimental in thinking back on what I like to call the ‘Blue Dog Man’ years, 1996-1999. It was during this time thatContinue reading “Blue Dog Man, 1996- 1999”
Blue Dog: Out of Control, 1993-1995
By 1993 the Blue Dog had far-reaching fame. After the success of Absolut Louisiana the previous year, Michel Roux of Carillon Importers commissioned Absolut Rodrigue, which appeared full page in hundreds of magazines that year, and continued in hundreds more in the following. As recently as this past summer, it was the most highlighted ofContinue reading “Blue Dog: Out of Control, 1993-1995”
Blue Dog: The Ghost of Tiffany, 1990-1992
In 1989 artist George Rodrigue, an investor, and that investor’s agent-brother opened The Rodrigue Gallery of New Orleans just behind St. Louis Cathedral in the French Quarter. In those first months the gallery exhibited George’s Cajun paintings, mostly large genre works featuring his friends and family as models. However, as I mentioned in a previousContinue reading “Blue Dog: The Ghost of Tiffany, 1990-1992”
Blue Dog: In the Beginning, 1984-1989
In 1980 a Baton Rouge investment group approached George Rodrigue for help in creating a lasting Louisiana memento, a book of Louisiana ghost stories to be sold at the 1984 World’s Fair in New Orleans. Author Chris Segura embellished forty rather gruesome tales, and Rodrigue researched regional myths and legends for appropriate imagery, resulting inContinue reading “Blue Dog: In the Beginning, 1984-1989”
Blue Dog in Three Dimensions
Completed July 2012….. Three Heads are Better Than One (height: five feet; constructed of chrome, aluminum and steel; finished with acrylic and automotive paint), on view at the Rodrigue Gallery, New Orleans; click photo to enlarge- It was probably ten years ago that George Rodrigue started work in earnest on the concept of a Blue DogContinue reading “Blue Dog in Three Dimensions”