Category Archives: Lafayette

Miss July Fourth at Fifty

“Paintings take on a life of their own, long after the artist is gone.” George Rodrigue, from my journal. As a young Cajun man of twenty-seven living in Lafayette, Louisiana, George Rodrigue (1944-2013) chose to express his culture’s pride in their adopted American homeland in a most unusual way. His painting of Independence Day illustratesContinue reading “Miss July Fourth at Fifty”

I’ve Moved! Please Join Me!

Dear Rodrigue Friends and Fans, It was 10 years ago that I started, with George’s encouragement, “Musings of an Artist’s Wife.” Today, it’s time for a change.  The more than 300 essays highlighting George Rodrigue’s history, artwork, and our life together will remain posted here as a permanent reference. All new posts, however, are inContinue reading “I’ve Moved! Please Join Me!”

Life and Legacy

George Rodrigue’s life, art, and philanthropy touch lives every day. In a reality that, from my perspective, is both exhilarating and unsettling, I see him moving into near-mythic status, grouped in art lessons with Van Gogh, Picasso, and Matisse.  I’ve always known that he belongs with these artists —Modernist giants whose output enriches our world,Continue reading “Life and Legacy”

The Begneaud Collection

Since losing George in 2013, we (myself, his sons, and our staff), have made educating the public about his life and work a priority. In the galleries, we’ve focused on exhibitions that span his 45-year career, including the current installations, Rodrigue:  Blue Dog for President in New Orleans and  Rodrigue in Carmel:  Galerie Blue DogContinue reading “The Begneaud Collection”

I am Not the Artist.

Over the years countless people approached George Rodrigue with ideas for paintings.  They didn’t understand that George was original.  He was authentic. “They all think they’re the artist,” he would say, shaking his head over the umpteenth person to “have a great idea,” insisting that he paint the Blue Dog with St. Louis Cathedral orContinue reading “I am Not the Artist.”

Rodrigue Comes Home

Those of you who follow this blog know that over the past six years (goodness…..six years….) and more than 300 essays, I focus on text, with quotes from George, and a careful complement of photographs and paintings. However, after spending a whirlwind week in Louisiana, I’m ready to post quickly and then get on withContinue reading “Rodrigue Comes Home”

The Petro Brothers

“Ya’ here to look or to buy?…” …barked Bud Petro from the porch of George Rodrigue’s Jefferson Street gallery.From a rocking chair, he watched the Esso station he owned with his brother Norman, while monitoring and, according to George, “scaring away” potential Rodrigue collectors. “I couldn’t tell him to leave,” laughed George.“He was part ofContinue reading “The Petro Brothers”

Choo Choo Ch’Boogie (An Adventure)

Last year I often found George Rodrigue in his studio in the middle of the night.  He worked for weeks on the painting Choo Choo Ch’Boogie, yet instead of photographing him at his easel, I stood quietly behind and watched.  (pictured:  Choo Choo Ch’Boogie, 2013 by George Rodrigue, acrylic on canvas, 48×60 inches) At the time,Continue reading “Choo Choo Ch’Boogie (An Adventure)”

Cora’s Restaurant and CODOFIL

In 1968 attorney and former Louisiana State Senator and U.S. Representative Jimmy Domengeaux* (1907-1988) of Lafayette founded the Council for the Development of French in Louisiana, known as CODOFIL. Impressed with the initiative, Louisiana Governor John McKeithen pushed through a bill that granted the organization the necessary state credentials. (pictured:  In 1912 Louisiana Governor HallContinue reading “Cora’s Restaurant and CODOFIL”

Rodrigue Honored Tonight

On October 26, 2013, George Rodrigue receives in New Orleans the prestigious Opus Award from the Ogden Museum of Southern Art during their annual gala, O What a Night!.  Unable to attend the event, we asked Jacques Rodrigue, his fiancé Mallory Page Chastant, and André Rodrigue to accept the award on George’s behalf, and toContinue reading “Rodrigue Honored Tonight”

Gus Weill and George Rodrigue (a couple of local boys)

Why do you do what you do? Ah sir if we only knew. But the winds call And the waves toss And we follow And are lost. Ah sir if we only knew.*                         -Gus Weill, 1981 (pictured, A Couple of Local Boys, 1981, oil on canvas by George Rodrigue, 48×36 inches; collection theContinue reading “Gus Weill and George Rodrigue (a couple of local boys)”

Walker Percy (The Impossible Dream)

“Waking wide-eyed dreams come as fitfully as swampfire.”* Years ago artist George Rodrigue owned a camp in Butte la Rose, Louisiana on the Atchafalaya Basin.  He purchased it as a small, cabin-like structure on stilts and quickly built on bedrooms, extending a raised walkway to the river and over the swamp. -click photo to enlarge-Continue reading “Walker Percy (The Impossible Dream)”

Dance with Me, George!

“What do you do here?” ….asked George Jones of George Rodrigue at a Lafayette, Louisiana Mercedes dealership, as Jones shopped a new car and Rodrigue awaited repairs on his 1978 diesel station wagon. “I’m an artist,” he replied.           “Oh yeah?” said Jones.  “What do you sing?” Rodrigue recalls the countryContinue reading “Dance with Me, George!”

The Lost Painting (Festivals Acadiens)

In this computer age, Rodrigue Studio retains detailed records of art purchases, occasionally borrowing paintings from collectors for public exhibition.  However, prior to the late 1990s, records were partial, hand-kept and often lost.  People move, and paintings sell or pass to descendants.  Some works exchange hands through private sale, and unless the art appears atContinue reading “The Lost Painting (Festivals Acadiens)”

Tee Teddie (Won’t You Be My Teddy Bear?)

At 4×3 feet, Tee Teddie is anything but tee.  The painting, begun in 1995 and completed in 2013, first hung in Café Tee George, artist George Rodrigue’s original Lafayette restaurant, which was replaced by the Blue Dog Café after burning in 1997.  Tee Teddie was the only painting to escape the flames, while interpretations ofContinue reading “Tee Teddie (Won’t You Be My Teddy Bear?)”

Rodrigue’s Cajun Mardi Gras

Mardi Gras is not just about New Orleans.  Cities like Mobile, AL, Galveston, TX and my hometown of Fort Walton Beach, FL also celebrate.  In Louisiana, dozens of small towns host Mardi Gras parades and celebrations every year. Long before his Mardi Gras posters, George Rodrigue painted the tradition on his own, recording favorite stories andContinue reading “Rodrigue’s Cajun Mardi Gras”

Life Lessons and an Art Contest

George Rodrigue entered two art contests in his life and failed at both. By ‘failed,’ I’m not talking about losses, but more significant that he was disqualified or learned a hard lesson about cheating. “Nothing in life is fair,” my mother used to say, and maybe she was right. But in the end perhaps that’sContinue reading “Life Lessons and an Art Contest”

King Marion

For sixty-five years, the Krewe of Louisianians, comprised of the seven congressional districts of the State of Louisiana, has hosted a private Mardi Gras for 5,000 people in Washington, D.C.  The three-day celebration includes the best examples of Louisiana’s food and music, while honoring its young women as princesses and festival queens.  The Mardi GrasContinue reading “King Marion”

Cajuns, The Book

By the mid-1970s George Rodrigue painted on average forty canvases per year, all scenes of Cajun folk-life stemming from his first painting with people, Aioli Dinner (1971), while incorporating the distinctive oak trees from his landscapes. Although he rented a gallery in Lafayette, Louisiana, he sold most of his work on the road in Houston, Dallas,Continue reading “Cajuns, The Book”

Louisiana Legends

Between 1990 and 1993 artist George Rodrigue painted sixteen portraits on three canvases of Living Legends for Louisiana Public Broadcasting.  The 1990 honorees and Rodrigue’s tribute painting launched an LPB tradition continuing today. All proceeds from posters of the three paintings benefited LPB’s television programming. “At the gala,” recalls Rodrigue, “each nominee gave a shortContinue reading “Louisiana Legends”

Clifton Chenier and a Cajun Explosion

In 1985 George Rodrigue painted the great musician Clifton Chenier (1925-1987).  At the time, Chenier was world-famous, crowned a Grammy Award winner in 1983 and summoned everywhere from San Francisco to Switzerland to share his unique Louisiana sound. Rodrigue’s timing in painting the portrait honors Chenier not only for his music, but also for hisContinue reading “Clifton Chenier and a Cajun Explosion”

Washington Blue Dog (and the Blue Dog Democrats)

In 1992 George Rodrigue painted Washington Blue Dog, a tribute to the United States of America’s capitol, Washington, DC.  The painting is one of his most famous.  Its prints hang in the offices of Blue Dog Democrats and their affiliates, an obvious choice for the group.  The original oil on canvas (48×60 inches), owned byContinue reading “Washington Blue Dog (and the Blue Dog Democrats)”

All Hail King George

George Rodrigue makes a great King.  I hear it every year as we attend the Washington D.C. Mardi Gras, where he ruled in 1994 and still commands regal respect. (pictured, It’s Good to be the King, 1994, acrylic on canvas) This royal interest started in his childhood, in the late 1940s.  George’s first memory, inContinue reading “All Hail King George”

Farewell to Exhibitions; Welcome to Painting

George Rodrigue and I spent much of the past eighteen months on the road visiting museums and communities for exhibitions, lectures, and education events coordinated by the George Rodrigue Foundation of the Arts (GRFA) and the New Orleans Museum of Art, which organized the tour as part of its 100th birthday celebration.  Locations included BatonContinue reading “Farewell to Exhibitions; Welcome to Painting”

George Rodrigue: Painting Louisiana

Note:  Based on an essay scheduled for publication in an upcoming book* celebrating Louisiana’s bicentennial, published in April 2012 by the Louisiana Endowment for the Humanities, this blog version includes added images, as well as links throughout, referring you to specific relevant posts and websites. Born and raised in New Iberia, Louisiana, George Rodrigue (b.Continue reading “George Rodrigue: Painting Louisiana”

The Working Artist

Note:  Throughout this post I sprinkled images by Louisiana artists.  Some I interviewed and some not, but all are included in the book The Bicentennial History of Art in Louisiana.*  As I wrote, I thought of the text and images as two separate statements, not necessarily related.  In other words, unless specifically noted, all artistContinue reading “The Working Artist”

Hiding From the Blues

Recently I challenged George Rodrigue:  Pretend I’m a stranger and answer some questions. “Do you ever get the Blues?” “No, I really don’t, at least not on my own,” he said.  “But I do catch the Blues from others.” “Like your wife?” I asked.  But I already knew the answer. (pictured, The Red Cover-Up, 2010, acrylicContinue reading “Hiding From the Blues”

Popular Art: Famous Paintings by George Rodrigue

During our recent tours in north Louisiana and the Florida Panhandle, the question arose several times regarding George Rodrigue’s most popular paintings. “My favorite painting,” he’s quick to reply, “is always the one I’m working on now.” (pictured, George Rodrigue at his easel in Carmel Valley, California, 10/6/11) But for the rest of us, humanContinue reading “Popular Art: Famous Paintings by George Rodrigue”

An Artist’s Wife ( … okay, now on facebook)

“To be an enthusiast had become her social vocation and, sometimes even when she did not feel like it, she became enthusiastic in order not to disappoint the expectations of those who knew her.”* (pictured above and below, sharing the art of George Rodrigue with Baton Rouge students during a drawing workshop last weekend atContinue reading “An Artist’s Wife ( … okay, now on facebook)”

Talk About Good!

In 1979 George Rodrigue loaned twenty of his Cajun paintings for use in Talk About Good II, a cookbook produced by the Junior League of Lafayette, Louisiana.  The paintings introduce the book’s chapters and include dinner scenes, seafood preparations and Cajun characters, each complemented by Rodrigue’s brief descriptions. Rodrigue writes about the cover, Kiss MeContinue reading “Talk About Good!”

Musings of Heather the Great (an Artist’s Sister-in-Law)

My sister, Heather Wolfe Parker, a.k.a. ‘Heather T. Great,’ (her title since grade school), steps in as a guest-blogger this week-  “Hello?” “Hey George! It’s your sister.” “Who?” (pictured above, my son Wyatt, me, my dad, George) It’s the same ol’ dull routine each time I phone. Poor George has been bludgeoned by the forceContinue reading “Musings of Heather the Great (an Artist’s Sister-in-Law)”

The Artist’s Mother: Marie Courrege Rodrigue

“Aren’t you happy?” my uncle asked Marie Rodrigue on the night of my engagement to her son.  “You’re going to have a daughter-n-law!” “I had one,” she replied, her face deadpan.  “It didn’t work out.” When she died in 2008 at age one hundred and three, George Rodrigue’s mother still wanted to “go home” toContinue reading “The Artist’s Mother: Marie Courrege Rodrigue”

Hank Williams or Moon Mullican: A Blogging Dilemma

“I love how Louisiana artists yell out food names when they run out of lyrics.” -Elizabeth McClanahan, Senior at Loyola University, majoring in Music Industry Studies I intended this Jazz Fest post for weeks, focused on Hank Williams.  George Rodrigue and I trekked through rural Alabama last month, the Hank Williams Trail, with stops inContinue reading “Hank Williams or Moon Mullican: A Blogging Dilemma”

Happy Birthday, Tennessee

“They told me to take a streetcar named Desire, and transfer to one called Cemeteries, and ride six blocks and get off at – Elysian Fields!” –Blanche DuBois, T.W. I cannot remember a time that I existed unaware of Tennessee Williams. And yet, the truth is that I discovered him like a déjà vu onlyContinue reading “Happy Birthday, Tennessee”

Swamp Women (An Encore Presentation)

Celebrating my birthday and the Ides of March with an encore presentation of……. Swamp Women “Oh, this stinkin’ swamp water stinks!” –from the movie Swamp Women, 1955 Early on the morning of October 31st I met George Rodrigue in the garage for the two-hour drive to Lafayette, Louisiana, where we were to meet some friendsContinue reading “Swamp Women (An Encore Presentation)”

Museums and Critics, an Early History

“I’m a survivor.” George Rodrigue, 2011 In 1969 the Art Center of Southwest Louisiana held George Rodrigue’s first solo museum exhibition. Located in Lafayette at the University of Southwest Louisiana, the museum, also known as the Pink Palace, existed within a Mississippi River-style plantation, surrounded by huge columns and designed by architect A. Hays Town.Continue reading “Museums and Critics, an Early History”

Saving an Oak Tree (for Romain)

“Actually, I thought about a specific old friend before a specific old tree,” said George Rodrigue when he found out about the 250-year old Youngsville Heritage Oak, destined for destruction next month to make room for a temporary road. George’s connection to the small Louisiana town called Youngsville, near Lafayette, was his best friend RomainContinue reading “Saving an Oak Tree (for Romain)”

Meet Tiffany, the Original Blue Dog

It was an accident that a terrier/spaniel mix named Tiffany found herself involved with an artist’s legacy years after her death. The Blue Dog, in truth, has little connection to the Rodrigue family pet. Instead, its roots lie in a Cajun story, the loup-garou, a scary legend about a werewolf-type dog that lurks in cemeteriesContinue reading “Meet Tiffany, the Original Blue Dog”

The Greatest Gift

“And they sat there and they marveled And they knew they could not tell Whether it were angels, or the bright stars a singing”** I was surprised by the large and heartfelt response to the recent post “The Ghost of Christmas Past,” a story I hesitated sharing. Obviously there is something about this season thatContinue reading “The Greatest Gift”

Women of Vision

Inspired by an upcoming speech for UL Lafayette’s ‘Women of Vision’ Lecture Series. For information see the bottom of this post- George Rodrigue’s paintings of women focus on both myth and reality. In most cases they include strong women with important roles in their community, Louisiana’s cultural history, and their own families. (pictured, Old LadiesContinue reading “Women of Vision”

Swamp Women

“Oh, this stinkin’ swamp water stinks!” –from the movie Swamp Women, 1955 Early on the morning of October 31st I met George Rodrigue in the garage for the two-hour drive to Lafayette, Louisiana, where we were to meet some friends from California at the Blue Dog Café. I was running late. “What are you wearing?!”Continue reading “Swamp Women”

The Ragin’ Cajun (The Art of the Trade)

Granted I’m biased, however I’ve witnessed over the years that most people, men and women, find George Rodrigue downright charming. It’s something about that Cajun accent combined with the Snagglepuss laugh and his down-to-earth demeanor that reels in both friends and strangers alike. This is a handy character trait regarding his business. For years GeorgeContinue reading “The Ragin’ Cajun (The Art of the Trade)”

Broussard’s Barber Shop (Melding Fact with Fiction)

After painting the Aioli Dinner in 1971, George Rodrigue’s confidence soared in rendering not only the Cajun figures, but also a style all his own. During the six months it took to complete the painting, he developed specific rules for himself, things separate from and often contradictory to the established rules of art. He wouldContinue reading “Broussard’s Barber Shop (Melding Fact with Fiction)”

We Will Rise Again

Following Hurricane Katrina in 2005, like everyone on the Gulf Coast, our lives were in turmoil. In addition to the logistics of basic needs such as shelter, phone service and, most important, tracking down friends and loved ones, there was a business and a staff, several of whom lost everything they owned, to consider. AlthoughContinue reading “We Will Rise Again”

Remembering Lafayette’s Advocates for the Arts, Circa 1969

This post is dedicated to Mrs. Frances Love (1926-2010), a friend of the arts. When George Rodrigue speaks of supporters during the early years of his career, three names always come up: Rita Davis, A. Hayes Town, and Frances Love. Between them they spent just a few hundred dollars on his canvases, however their influenceContinue reading “Remembering Lafayette’s Advocates for the Arts, Circa 1969”

Paintings for the Flora Levy Lecture Series at the University of Louisiana at Lafayette

Beginning in 1980 George Rodrigue painted ten portraits, one each year, honoring guest lecturers at what was then called the University of Southwest Louisiana (now the University of Louisiana at Lafayette). The speaker series was conceived by Professor Maurice DuQuesnay and funded by Flora Levy, a Lafayette heiress and philanthropist who left her fortune toContinue reading “Paintings for the Flora Levy Lecture Series at the University of Louisiana at Lafayette”

Louisiana Roots (The Louis Prima of the Art World)

George Rodrigue is unique in the art world. I can think of very few contemporary visual artists of his renown that define themselves by their culture. From the time he first returned to Louisiana from Los Angeles and art school in the late 1960s, he called himself a Cajun artist. Even today he describes everyContinue reading “Louisiana Roots (The Louis Prima of the Art World)”

The Nude Figure

As a student, it was important to George Rodrigue to learn the fundamentals of art. He grew frustrated early on with his college education, a 1960s academic art world rooted in the abstract, as opposed to classical notions of compositional design, chiaroscuro (play of light and dark), and an accurate study of the human figure.Continue reading “The Nude Figure”

A Gallery of His Own (A Woolf Inspires a Wolfe)

“Be truthful one would say, and the result is bound to be amazingly interesting.”* From day one, from his return to Louisiana from art school in Los Angeles in the late 1960s, George Rodrigue wanted one thing: to make a living as an artist. However, he never imagined that selling his art would be up to him.Continue reading “A Gallery of His Own (A Woolf Inspires a Wolfe)”

Fairs and Festivals, Ducks Unlimited and the New Orleans Jazz Club

If you ask George Rodrigue what made his art famous in Louisiana, his answer might surprise you. It’s not the Blue Dog, Absolut Vodka ads, or Jazz Fest. Rather, it’s the small town festival posters. Throughout the 1980s George created posters for dozens of festivals throughout the state. He sold thousands of these inexpensive offsetContinue reading “Fairs and Festivals, Ducks Unlimited and the New Orleans Jazz Club”

Musicians: A Series of Paintings

It’s spring in Louisiana, and that means seventy-degree weather, festivals, and live music. This weekend New Orleans hosts the French Quarter Festival, an annual free music festival throughout the oldest part of the city, and popular with both tourists and locals. Through the windows of our third floor bedroom in the Faubourg Marigny, we listenedContinue reading “Musicians: A Series of Paintings”

Rabbits and Chickens In (and Out) of Rodrigue Paintings

George Rodrigue’s sense of play spills over from his life into his art. Even in his Cajun paintings, which many consider to be his ‘serious work,’ he plays jokes on the public, entertaining himself and his audience with absurd subject matter, scale, and titles. The truth, however, is that when it comes to the actualContinue reading “Rabbits and Chickens In (and Out) of Rodrigue Paintings”

If Not Painting, Then Cars…

We had dated about a year when George Rodrigue and I had our first fight. I had just visited him in Lafayette, Louisiana, where we cruised along the Atchafalaya Basin levees one moonlit night in his prized possession – a black Mercedes SL Convertible hard-top. A month later, as we drove down a Carmel, CaliforniaContinue reading “If Not Painting, Then Cars…”

Blue Dog Today: An Interview with George Rodrigue

Every few weeks I devote a blog to the Blue Dog Story, from its loup-garou beginning in 1984, and on to Tiffany, Absolut and Xerox, Blue Dog Man, Sculptures, Red Dog, and Silkscreens. I last wrote about the Abstract Paintings of 2001-2003, and I’m a bit lost as to how to move forward. To assessContinue reading “Blue Dog Today: An Interview with George Rodrigue”

Assessing This Blog (Taking a Breath)

“But just imagine, my dear…! A whole periodical devoted to one person’s opinions! I would never have believed it possible!” (from Jonathan Strange & Mr. Norrell by Susanna Clarke) It’s the wee hours, and I’m blogging again, unable to sleep, to quiet my mind, because I’m retracing the Reagan and Gorbachev paintings in one minuteContinue reading “Assessing This Blog (Taking a Breath)”

Hurricanes, A Series of Paintings

By late summer 2002 George Rodrigue and I lived most of the time in Carmel, California. We placed our house on the market in Lafayette, Louisiana, but still spent time there on occasion as we waited for a buyer. By coincidence, we were in Lafayette for Hurricane Lili. I recall an argument with George aboutContinue reading “Hurricanes, A Series of Paintings”

From Jolie Blonde to Bodies: Paintings of Women

According to local legend, in the 1920s a Cajun imprisoned in Port Arthur, Texas pined for his lost love, his beautiful blonde, his “Jolie Blonde,” and wrote a waltz from those feelings of longing. Over the years the song became for many the Cajun anthem based on a sort of modern day Evangeline, and CajunContinue reading “From Jolie Blonde to Bodies: Paintings of Women”

Jimmy Domengeaux, George Rodrigue, and a Few Other Louisiana Characters

I assume other states have characters too, but between Governors Huey and Earl Long, singer and trumpet player Louis Prima, Coach Raymond Blanco, the French Quarter’s Ruthie the Duck Lady, Mr. Possum with his vegetable truck, and George’s Uncle Albert (and for that matter, my Uncle Jack) just to name a few, we are inundated.Continue reading “Jimmy Domengeaux, George Rodrigue, and a Few Other Louisiana Characters”

Art School: Lafayette and Los Angeles, 1962-1967

When George Rodrigue entered his senior year at Catholic High School in New Iberia, Louisiana in 1961, his future, to his mind, was certain. He would go to art school and become a professional artist. His parents, however, had other ideas, determined he have something more steady than his father’s (and grandfather’s) work in brick-layingContinue reading “Art School: Lafayette and Los Angeles, 1962-1967”

André and Jacques: The Rodrigue Brothers

George Rodrigue has two sons, André (born 1975) and Jacques (born 1981). They are as accustomed to the question “Do you paint?” as I am, maybe more; however, neither one followed in their dad’s artistic footsteps. Over the years George has painted his boys many times. Kiss Me, I’m Cajun, featuring André, is probably theContinue reading “André and Jacques: The Rodrigue Brothers”

A History of Evangeline in Rodrigue Paintings

There are enough Rodrigue Evangelines to fill an entire museum exhibition. He’s painted the Acadian heroine one hundred or more times over nearly forty years. Like Jolie Blonde, the Oak Tree, and the Blue Dog, she is a staple in his work, a protagonist as much for him as she is in the story ofContinue reading “A History of Evangeline in Rodrigue Paintings”

Oil Paint or Acrylic?

After experimenting in art school with several mediums, including designer colors, pastel, water color, and chalk, George Rodrigue settled on oil paint to create his dark landscapes of Louisiana oak trees in 1969. In those days money was a real concern, and he was aware that each stroke of his brush equated to less paintContinue reading “Oil Paint or Acrylic?”

Two Publishing Stories: The Cajuns and Blue Dog

The Cajuns of George Rodrigue By 1975 George Rodrigue was painting forty canvases a year, all scenes of Cajun folk-life stemming from his first painting with people, Aioli Dinner (1971), and incorporating the distinctive oak trees from his landscapes as well. Although he had a gallery in Lafayette, Louisiana, he was selling most of hisContinue reading “Two Publishing Stories: The Cajuns and Blue Dog”

The Aioli Dinner and a Cajun Artist

The first time I saw the original Aioli Dinner, I was struck by its monochromaticity. It is a green painting through and through. You don’t notice it in a photograph and certainly not in a print (as explained below), but the painting itself exudes the swamp, and one almost feels the mugginess, smells the sweat,Continue reading “The Aioli Dinner and a Cajun Artist”

Early Oak Trees and a Regrettable Self-Portrait

It was on the long drives back from The Art Center College of Design in California that George Rodrigue developed his style. He’d been thinking about it for some time – about how different South Louisiana is from other places, as well as the eighteen hundred miles of cities and countryside and Americans he passedContinue reading “Early Oak Trees and a Regrettable Self-Portrait”