George first created jewelry in the 1970s, hand-forming designs in clay from his images of Oak Trees and Jolie Blonde, which he reinterpreted as solid gold pendants. Later he made for himself one-of-a-kind Mardi Gras coins featuring elements from his paintings, also in gold, and embellished with precious stones. In the 1980s George met DouglasContinue reading “Rodrigue Jewelry”
Category Archives: Andre
Rodrigue Comes Home
Those of you who follow this blog know that over the past six years (goodness…..six years….) and more than 300 essays, I focus on text, with quotes from George, and a careful complement of photographs and paintings. However, after spending a whirlwind week in Louisiana, I’m ready to post quickly and then get on withContinue reading “Rodrigue Comes Home”
Magic People
“I never thought before that I was interesting, but after talking with you, I realize that I’m fascinating!” –Roz Cole In September 2013 I spent several weeks in a New York City hospital room with George Rodrigue’s longtime literary agent, Rosalind Cole. Weak from his medication’s side effects, George couldn’t travel, and I remember wellContinue reading “Magic People”
The Petro Brothers
“Ya’ here to look or to buy?…” …barked Bud Petro from the porch of George Rodrigue’s Jefferson Street gallery.From a rocking chair, he watched the Esso station he owned with his brother Norman, while monitoring and, according to George, “scaring away” potential Rodrigue collectors. “I couldn’t tell him to leave,” laughed George.“He was part ofContinue reading “The Petro Brothers”
Rodrigue Honored Tonight
On October 26, 2013, George Rodrigue receives in New Orleans the prestigious Opus Award from the Ogden Museum of Southern Art during their annual gala, O What a Night!. Unable to attend the event, we asked Jacques Rodrigue, his fiancé Mallory Page Chastant, and André Rodrigue to accept the award on George’s behalf, and toContinue reading “Rodrigue Honored Tonight”
The Right Thing
“I hate the right thing to do…” …grumbled my young cousin, her back to me as she descended the stairs. This was several years ago in New Orleans, and I had just pushed her towards something that seemed terribly important at the time. Her reaction to my vague reasoning reverberates like my own adolescent reactionContinue reading “The Right Thing”
Gus Weill and George Rodrigue (a couple of local boys)
Why do you do what you do? Ah sir if we only knew. But the winds call And the waves toss And we follow And are lost. Ah sir if we only knew.* -Gus Weill, 1981 (pictured, A Couple of Local Boys, 1981, oil on canvas by George Rodrigue, 48×36 inches; collection theContinue reading “Gus Weill and George Rodrigue (a couple of local boys)”
My Blues Brothers
George Rodrigue has painted several versions of the Blues Brothers since 1995. Although all in private collections, the paintings from this series are among his most popular, famous within the pages of art books and as reproductions on the walls of the Blue Dog Café in Lafayette, Louisiana and Besh Steakhouse at Harrah’s Casino in NewContinue reading “My Blues Brothers”
Cajuns, The Book
By the mid-1970s George Rodrigue painted on average forty canvases per year, all scenes of Cajun folk-life stemming from his first painting with people, Aioli Dinner (1971), while incorporating the distinctive oak trees from his landscapes. Although he rented a gallery in Lafayette, Louisiana, he sold most of his work on the road in Houston, Dallas,Continue reading “Cajuns, The Book”
Happy Father’s Day, George!
I’ve written before about brothers André and Jacques Rodrigue. George painted his boys many times, and the paintings, including Kiss Me I’m Cajun with André and Paint Me Back Into Your Life with Jacques, are classics among his oeuvre. (For a look at those iconic works, along with a collection of family photographs, see theContinue reading “Happy Father’s Day, George!”
Crawfish Dreams and Artist Friends
George Rodrigue loves crawfish primarily as a symbol of Cajun culture. The shellfish itself is deadly to him, inducing a closed throat and limited breathing. “Soon after I did my crawfish festival poster, I developed practically overnight an allergy to crawfish. Even the smell of the boil leaves me wheezing and my wife running forContinue reading “Crawfish Dreams and Artist Friends”
Talk About Good!
In 1979 George Rodrigue loaned twenty of his Cajun paintings for use in Talk About Good II, a cookbook produced by the Junior League of Lafayette, Louisiana. The paintings introduce the book’s chapters and include dinner scenes, seafood preparations and Cajun characters, each complemented by Rodrigue’s brief descriptions. Rodrigue writes about the cover, Kiss MeContinue reading “Talk About Good!”
Musings of Heather the Great (an Artist’s Sister-in-Law)
My sister, Heather Wolfe Parker, a.k.a. ‘Heather T. Great,’ (her title since grade school), steps in as a guest-blogger this week- “Hello?” “Hey George! It’s your sister.” “Who?” (pictured above, my son Wyatt, me, my dad, George) It’s the same ol’ dull routine each time I phone. Poor George has been bludgeoned by the forceContinue reading “Musings of Heather the Great (an Artist’s Sister-in-Law)”
Motorcycles (The Blue Dog Hog)
Although not a rider himself, George Rodrigue relates to the seduction of the open road and the notion of freedom and Americana attached to motorcycles. Twice each year we cross the country in our truck, no books or computers allowed, so that we experience the West without distractions. We keep the music to a minimum,Continue reading “Motorcycles (The Blue Dog Hog)”
Santa Claus: Paintings and Sculptures Inspired by the Season
In 1979 George Rodrigue painted his four-year old son André with Santa Claus. As with most of his Cajun paintings, he manipulated a photograph to suit his needs, in this case cutting the figures out of the staged snapshot and placing them outside. André posed with Santa not beneath an oak tree, but at AcadianaContinue reading “Santa Claus: Paintings and Sculptures Inspired by the Season”
The Ghost of Christmas Past
I try and, honestly, fail to imagine 1950s New Iberia, Louisiana. I’ve stared at this photograph for hours, a six-year old George Rodrigue dressed as a cowboy on Christmas morning, an only child surrounded by symbols of the time: a Radio Flyer red wagon; promotional Coca-Cola Santa Clauses (in multiples because his dad traded themContinue reading “The Ghost of Christmas Past”
The Family Portrait
Although George Rodrigue admitted to himself only recently that he is an effective portrait artist, he has painted both real and imaginary figures for forty years, accepting commissions for family portraits since the early 1970s. For the family portrait he feels pressured to please everyone from Great Aunt Marie to Baby Hebert with regards toContinue reading “The Family Portrait”
Blonde
Reflections On an Insane Yet Wonderful Week “How long were we gone?” asked George Rodrigue. “A week?” “More like 48 hours,” I replied… …as we recalled our visit to Little Rock, Arkansas last weekend, where we raised funds and awareness for arts education through events for the Thea Foundation and the George Rodrigue Foundation ofContinue reading “Blonde”
The Ragin’ Cajun (The Art of the Trade)
Granted I’m biased, however I’ve witnessed over the years that most people, men and women, find George Rodrigue downright charming. It’s something about that Cajun accent combined with the Snagglepuss laugh and his down-to-earth demeanor that reels in both friends and strangers alike. This is a handy character trait regarding his business. For years GeorgeContinue reading “The Ragin’ Cajun (The Art of the Trade)”
America the Beautiful (Crossing New Mexico and Arizona)
“All men were made by the Great Spirit Chief. They are all brothers.” Chief Joseph It was in a college class called ‘Religion and Social Issues’ that I first read Bury My Heart at Wounded Knee (1970, Dee Brown), a book that sunk my sheltered self into a depression I had not known since readingContinue reading “America the Beautiful (Crossing New Mexico and Arizona)”
Rabbits and Chickens In (and Out) of Rodrigue Paintings
George Rodrigue’s sense of play spills over from his life into his art. Even in his Cajun paintings, which many consider to be his ‘serious work,’ he plays jokes on the public, entertaining himself and his audience with absurd subject matter, scale, and titles. The truth, however, is that when it comes to the actualContinue reading “Rabbits and Chickens In (and Out) of Rodrigue Paintings”
If Not Painting, Then Cars…
We had dated about a year when George Rodrigue and I had our first fight. I had just visited him in Lafayette, Louisiana, where we cruised along the Atchafalaya Basin levees one moonlit night in his prized possession – a black Mercedes SL Convertible hard-top. A month later, as we drove down a Carmel, CaliforniaContinue reading “If Not Painting, Then Cars…”
The Name ‘Rodrigue’ with Pronunciation and a Bit of History
The name ‘Rodrigue’ is a common one in Cajun country. However, outside the southern part of his home state, George Rodrigue endures miss-pronunciations and miss-spellings on a regular basis. Most of the time, people say or spell the name ‘Rodriguez.’ A close second is ‘Rodrique’ (with a ‘q’ in place of the ‘g’). And barContinue reading “The Name ‘Rodrigue’ with Pronunciation and a Bit of History”
Portraits: The Kingfish and Uncle Earl
For years George tried to convince me that he is not a portrait painter. He explained that others paint with far more skill in interpreting likenesses, and that he used his models as just that, models. If he paints Jolie Blonde, in other words, it’s not about the person posing, but rather about the legend.Continue reading “Portraits: The Kingfish and Uncle Earl”
André and Jacques: The Rodrigue Brothers
George Rodrigue has two sons, André (born 1975) and Jacques (born 1981). They are as accustomed to the question “Do you paint?” as I am, maybe more; however, neither one followed in their dad’s artistic footsteps. Over the years George has painted his boys many times. Kiss Me, I’m Cajun, featuring André, is probably theContinue reading “André and Jacques: The Rodrigue Brothers”
Eisenhower and Higgins: A New Historical Painting
How do I explain a painting rooted in war? How does someone like me write about it in such a way that doesn’t offend the anti-war Americans (a position I respect immensely), or the veterans (a position I also respect immensely), but rather expresses pride for our country and compassion for our fellow human beings?Continue reading “Eisenhower and Higgins: A New Historical Painting”
Two Publishing Stories: The Cajuns and Blue Dog
The Cajuns of George Rodrigue By 1975 George Rodrigue was painting forty canvases a year, all scenes of Cajun folk-life stemming from his first painting with people, Aioli Dinner (1971), and incorporating the distinctive oak trees from his landscapes as well. Although he had a gallery in Lafayette, Louisiana, he was selling most of hisContinue reading “Two Publishing Stories: The Cajuns and Blue Dog”