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The River is the Road: Paintings by George Rodrigue
Travels to Museums in
Alabama, Tennessee and Louisiana
2024-2025

This first of its kind exhibition traces 45 years of the river in Rodrigue’s paintings, exploring the unique ways Rodrigue used the river as a reference to his Cajun heritage, and ultimately as a metaphor for the journey of life. LEARN MORE

This unprecedented exhibition of rarely seen George Rodrigue paintings tours for 2 1/2 years to five museums, including the West Baton Rouge Museum in Port Allen, Louisiana, the Carnegie Visual Arts Center in Decatur, Alabama; the Masur Museum in Monroe, Louisiana; the Monthaven Arts and Cultural Center in Hendersonville, Tennessee; and the Alexandria Museum of Art in Alexandria, Louisiana.

June 17 – October 29, 2023

West Baton Rouge Museum
Port Allen, Louisiana
RECAP


February 27 – April 6, 2024

Carnegie Visual Arts Center
Decatur, Alabama
RECAP


May 23 – October 20, 2024

Masur Museum of Art
Monroe, Louisiana
RECAP


November 23, 2024 – January 19, 2025

Monthaven Arts and Cultural Center
Hendersonville, Tennessee
RECAP


March 7, 2025 – June 21, 2025

Alexandria Museum of Art
Alexandria, Louisiana


The waterways of Louisiana were the early highways of its inhabitants.  We had no roads; we just had the water.  They were the natural fairways for commerce, development, and everything necessary for settlers to expand.

George Rodrigue

In Rodrigue’s paintings, the roads and rivers blend as one, and are one and the same.  Rejecting the spacious sky of traditional European-style paintings, he pushes a large oak to the front of his canvas, cropping the top of the tree so that the light shines in the distance and is small beneath the branches.  In hundreds of his paintings, it is a river or road that invites the viewer into Rodrigue’s imaginary world, one that feels like Louisiana, and onto a painted path that leads to a symbolic, hopeful light.

When the Blue Dog enters Rodrigue’s world, his paintings become increasingly more colorful, reflecting changes in his life and outlook.  Unlike the black bayous of his Cajun paintings, Rodrigue’s Blue Dog interpretations are surreal in both design and color.  Oftentimes the rivers are blue, red, yellow, and abstracted, blending and swirling almost indiscernibly with the land and sky.  Ultimately, paintings from the last year of Rodrigue’s life, as featured in this exhibition, ponder his life’s journey as never before, borrowing from the symbolism of his early paintings and the optimism of his later ones.  In these intensely personal expressions, Rodrigue once again invites us into his world with a river, this time contemplating not only his life’s journey and artistic legacy, but also, with hope and curiosity, the next part of his adventure.

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